VIA, installation at Southern Exposure, San Francisco, California, 2001

At first glance Anna Von Mertens‘ work looks spare and minimal. She has said that her medium is more the bed than it is quilts. Her installations extend beyond the carefully arranged quilts onto the floor and walls of the space. All these factors add up to high art, which left me a little cold, but the revelation for me was reading the descriptions of her work and making the connection with what our very own Weeks Ringle calls “big ideas.” That is, starting the quilting process with an overarching idea that guides the selection of colors, the piecing, through to the quilting and the finishing. You just might call Von Mertens’ ideas huge, and they’re ideas that aren’t completed after the binding is put on.

Meet and Separate (detail), 1999

Von Mertens dyes and quilts by hand. Her color choices and piecing are systematic, based on ideas like the heights of her and her brother growing up, friends’ and family members’ descriptions of the afternoon sky, video games, and Martha Stewart paint chips. Her painstakingly detailed hand stitching is the most impressive layer of meaning: bird migration patterns, circuit boards, topographical maps of land and even her own body, cell structures, star rotation patterns, nuclear explosions, and many other kinds of charts and maps. Her groupings of the individual quilts and the extension of the patterns onto the walls and floors of the room provide still another layer, just one that is transient.

Black and White (Black) (detail), 2004

See Von Mertens at work in this video segment from U.S. public television station KQED’s program called Spark.

MATRIX 207/Suggested North Points, installation at the Berkeley Art Museum, Berkeley, California, 2003

(all images from Anna Von Mertens’ website)

Many thanks to Gina for the link!

Hello all, my name is Abigail and I have been asked to post for whip-up on the topic of jewellery. I am a jeweller myself, and run my own business designing and making jewellery…I am delighted to be able to explore the world of jewellery design and manufacture here, and hope you enjoy reading about it ,and hopefully join in with some making of your own too!!

I will be posting about the various aspects of jewellery; most often introducing internationally renowned jewellers work..and where you can find them. I will also be writing about the tools you will need to make jewellery so you can dive on in when I post jewellery making tutorials…and lots more besides…!

Right…here is the work of Bettina Speckner one of my favourite jewellers {and someone who I linked to a while back on my own blog..}..and the creator of some seriously beautiful jewels…

Brooch 2005 - Photoetching/Zinc, Silver, Fine Gold, Gold 750/000 {5×4cm}

Necklace 2004 - Photo in enamel, Silver, Grey Pearls, Turmaline.

Bettina Speckner was born in Germany, and studied under the famous jewellery professor Otto Künzli at the Academy of Fine Arts in Munich. These pieces are typical of Bettina’s work…delicate, considered, eclectic and so very beautifully made. I had the great honour of handling some of Bettina’s work when I was at Galerie Spektrum in Munich a few years ago and it really is stunning in person! If you visit the galleries site you will find a fantastic portfolio of Bettina’s work {and many others under ‘Artists of the Gallery’}, where they show you in some images the back of her pieces..which are every bit as beautiful and unique as the front view!