Archive for March, 2007

Easter eggery

Natural dyes for Easter eggs

Natural dyes for Easter eggs (and wool!)

kath_red did a comprehensive post on Easter crafts last year.

To add a few more ideas:

At AllFiberArts, natural dyes for Easter eggs using red cabbage and turmeric.

Other dyeing techniques using such things as bubble wrap and tissue paper at FamilyFun.

Stephanie at yarn harlot had some fun with wax techniques over the new year period – here’s the result (or start reading a few days earlier to see the process) (she decided not to become the egg harlot – yarn isn’t so breakable, for starters…).

If you want a few more permanent eggs around, find a good quality wool skirt in a second-hand/op-shop/Goodwill/Oxfam/whatever they’re called in your neck of the woods. Cut out two egg shapes, sew, turn, stuff and sew up, then decorate with beads, embroidery, whatever takes your fancy. (You could, of course, buy new wool felt instead). Think of the cone trees so many folk made last Christmas, and try an eggery tack. Simple shapes such as these give plenty of room for your imagination and individuality. A bowl of these on the coffee table…it’s a thought.

memewatch: doll quilts

Doll quilts are taking over the world. Don’t believe me?

Exhibit One: as usual, we have Wee Wonderfuls to blame/thank for all the cute+tinyness, which apparently started with a picture from a library book. Here’s my favorite of the batch she’s been making recently.

Exhibit two: I love the fabrics and design and, well, just about everything in this one by mr. monkeysuit (picture from Wee Wonderfuls).

Exhibit three: disdressed puts one fantastic piece of fabric to great use.

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Exhibit four: thimble combines embroidery with patchwork for a really sweet take on the birth sampler

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Exhibits Five and six: Turkey Feathers and glittergoods both have quilts in progress.

plush-o-holic

some rather gorgeous plushies at plush-o-holic – with fabulous big sleepy eyes.

17th Tamworth Fibre Textile Biennial

Exhibition: In the World: Head hand heart, 17th Tamworth Fibre Textile Biennial

Image: Sandy Elverd, Numbers Count, 2005, Photo: Michal Kluvanek

If you thought you had missed this fabulous event – you haven’t, it is touring to Artspace Mackay (23rd March – 29th April 2007)

The Tamworth Fibre Textile Biennial is the pre-eminent recurrent fibre textile exhibition in Australia. This year’s theme, In the World: head, hand, heart, highlights works where traditional techniques are referenced or are used in contemporary textile practice. It’s an exhibition that challenges everything you ever thought about knitting, embroidery, weaving and appliqué. Even old blankets are reinvented as sculpture.

More information on textile events at ::textile and ::creative fibre NZ

We’ll miss you D1600-411

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I grew up in a time when kids were divided up pretty much in kindergarten into the kids who could draw well and those who couldn’t. I fell into the latter category. In graduate school I was determined to overcome my insecurities about this and devoted myself daily to improving my drawing.

A year ago when we were planning our fabric line that came to be called Mendhi, my husband Bill and I decided we would try to combine hand drawing and a layering process in Photoshop to create a rich, collage-like print. I was more than a little scared to stake a fabric line on my drawing skills but decided that it was time to get over it already. Bravely I hand drew the elements and Bill took the lead on layering. It took both of us to color the 28 prints because some patterns used 16 colors. We spent months designing this line. When we received the sample fabrics we were thrilled as they looked exactly how we imagined they would. The D1600 series (the wildflowers) we loved the most. We both declared that we would make shirts of those fabrics some day. D1604-632 was supposed to be made into curtains for our daughters room.

One month after the fabric came onto the market, a quilt made with this fabric appeared on the cover of American Patchwork & Quilting. For about 6 weeks we received 20-30 orders a day for this fabric. When we called Westminster (the new parent company of FreeSpirit fabrics, which had originally printed the line) to order more fabric, we were told that despite the fact that the line was selling out quickly, Westminster decided to discontinue production just two months after the line came on the market. We bought all of the remaining inventory and began to fill the 500+ orders we had. We knew that we were running out of fabric and it was hard to decide whether we should keep some for ourselves, but in the end we didn’t. Everyone who called seemed so excited about it that it was hard to hold anything back. This morning I cut the last piece of D1600-411, the fabric I had planned to make a shirt with. Bill and I were so sad. While we’re excited that the fabric was so well-received and has been shipped all over the world, it is sad to see a fabric we worked so hard on have such a short life. We know there will be more lines but I miss this one already.

Extreme Textile

the gods by danny mansmith

For the months of March and April, artstream is currently hosting a show with four very different artists with work relating to textile. Danny Mansmith from Chicago, Leigh Pennebaker from NYC, Alyssa Ettinger from Brooklyn, and Kimberly Lyford from Vermont. Each artist has a personal twist on textile use and the combination of the four is eye popping. Most all of the work is online here and here and an early review of the show is here.

hand bag tutorials

Love U-handbag’s tutorials. Clear instructions and great pics. The cute little coin purse and the elegant pleated bag are definitely on my list to try.

The knitting machine isn’t dead

Now here’s a sight for sore hands …

Home knitting machine

My Mum’s knitting machine has been sitting in a garage for the best part of 20 years. She made jumpers, scarves and blankets and even lace for three children. Then we grew up and wanted the latest chain-store crap. I remember sunny afternoons buzzing not with the sound of the cricket on the radio, but the metallic whoosh of a metal carriage being run back and forth over a bed of needles.

Not long ago, inspired by the explosion of really cool knitting patterns, like “Ribbed for her pleasure”, in ‘Stitch n Bitch’, I asked Elma to teach me some hand-knitting basics. But it turned out to be a nasty strain on my wrists, as my job involves sitting behind a computer all day. A sinking feeling of “oh no… this feels bad”.

Then last Friday I popped into the Stitches Craft show in Melbourne. Amid the scrapbooking, beading , candlewicking and quilting displays, there was a Machine Knitters Association of Victoria stall.

Association secretary Angela McGregor had an autumnal-themed bunch of scarves and hats on display. The ones made from expensive yarns and those from Reject Shop wool were indistinguishable – they all looked great, and looked like far more work than she claims they actually were. And she’d got some interesting webbed effects through dropping stitches on her machine, which, unlike my mother’s, employs punch cards.

Knitting machines are an endangered species – Brother’s head office in Canberra say they stopped stocking them several years ago. But you could try e-Bay, or in Australia, this business directory .

Their advantage is speed – attractive to felters – and the finished product often looks neater and more uniform than hand-stitching – which you may or may not want.

My mother says her Brother pre-punch card model made shaping garments a lot easier. But she had to add a ribber – expensive and tricky. Elma never liked the new-fangled card models, saying they made experimentation difficult.

McGregor says machine knitting was huge in the 60s, died down again then had a brief resurgence in the 1980s when shapeless jumpers (shudder) were in vogue. She says she makes hats and scarves for her kids, but their tastes are too finicky for her to risk clothes. She suggested it can be tricky shaping things on a machine, but you can do it if you’re really determined.

Her advice to people resurrecting knitting machines from the garage is to pull out the sponge bar (a tab to the left). If the foam has worn away, it will need replacing. Oh, and give the works a wipe with sewing machine oil. There’s a good checklist on e-Bay.

It’s not the sort of craft you’ll find taught by the local council of adult education, but the association can put you onto classes or more informal get-togethers in members’ private homes or halls.

Like most first-time-mothers-to-be, I plan to use the time when my baby is sleeping to start a PhD, launch a corporate empire … and maybe dust off the knitting machine.

Tilleke Schwarz

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In to the Woods, embroidery on linen

Tilleke Schwarz is a Dutch artist working in embroidery and also drawings on paper. Look for her work in the upcoming traveling exhibitions Fiberart International (U.S.) and the Knitting and Stitching Show (U.K./Ireland) over the next two years. There is also a wonderful article about her in the current issue of Selvedge magazine.

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Count Your Blessings, embroidery on linen

She has a book being released this week — write to info@tillekeschwarz.com for ordering info directly from the artist, or wait a few weeks, when it will be available online at Twisted Thread.

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On Color, 66cm by 70cm, embroidery on linen

Stitch for Senate

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For a long time knitting has been an activity that was used for good. In many past wars, people at home showed their support for the troops by knitting them needed items. (If you’re interested, you can see more here.) Helmet liners have been one such item that have been knitted for the troops, as they provide warmth in cold, harsh climates.

Keeping this in mind, Cat Mazza (microRevolt) launched a new project, Stitch for Senate, yesterday on the 4th anniversary of the U.S. involvement in Iraq. From her site:

Stitch for Senate is an initiative of knit hobbyists making helmet liners for every United States Senator. The helmet liner pattern was adapted from a support-the-troops initiative for soldiers stationed in Iraq. All the senators will receive their own helmet liner, and Senators can opt to send helmet liners to a soldier once they receive the helmet. Charitable knitting during wartime has been a tradition since the American Revolution. The Stitch for Senate website will compile testimonies from knitters reviving this cultural trend, seeking to understand what knitters express through wartime knitting: charity, allegiance, patriotism, resistance, radicalism, etc. and use the tradition of political organizing within knitting circles as a space for storytelling, discussion, exchange and protest.

Currently she is looking for people to sign up for this project as she will need two knitters from each state of the U.S. to volunteer in order to take it to is completion.

Regardless of your political views, it’s sad that knitting for the troops has such a long and involved history, but speaks volumes that despite the times, people still are finding ways to use their creativity for good.

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