October 2007

Pam RuBert makes the most delectable quilts with attitude, the quilts are based on a cartoon charactors adventures called Pamdora, and the stories that are woven into the quilt are based on the artists life and everyday experiences. They deal with big issues like worrying about global warming or small everyday dramas like being late for a date. They are fun and dramatic, but real too and make you think and laugh all at the same time. Website and blog.

Caption: The Vintage Purse, 2005, 36″ x 58″, I love cute little vintage purses, but there’s never enough room for everything. This quilt is currently on tour with the FiberArts International 2007 exhibition. Scroll down for detail photos.

The surprise for me was that turning one of my drawings into a quilt is not just a matter of copying symbols and shapes into another medium. Each fabric I use has its own personality and brings something new to the story. The raw scissor-cut edges have a spontaneous energy that would be lost if those edges were hidden or altered by seaming or sewing. The quilted line creates three-dimensional texture and structure and at the same time, communicates two-dimensional information in the form of symbolic or decorative motifs. Quilting is a meditative process, and I like to think of the stitched line as a thread of thought wandering over the surface of the entire quilt. As I sew, my mind holds images to guide my hands and needle—images of grass, wind, water, leaves, kneecaps, noses….

Caption: Yoga 101: The Crab Dip Pose, 2006, 36″ x 50″, This quilt is currently on exhibit at Grounds for Sculpture.

Caption: Whine & Dine at Sushi Zen, 2004, 50″ x 40″, Has watching all those food shows on tv made us all a little more crazy? Who knows, but I love Asian fusion food and watching people at restuarants.

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Hannah’s recent exhibition: “An ordinary kind of ornament” which is currently at Westspace gallery in Melbourne, (hurry the exhibition closes 3 November) focuses on Preciousness, the poetry of transformation through ornamentation. Hannah’s work looks at preciousness within transient moments, her work is temporary, making elaborate and ornate ephemeral installations that defy the traditional ideas of what is valuable. Her work is subtle and quietly exquisite. There is a big element of process rather than end result in her work – hours of work can be swept up in moments – that is what makes this work so amazing.

Hannah Bertram An Ordinary Kind of Ornament

12 October – 3 November 2007, opens Thursday 11 October 6-8pm
Free Artist Floor Talk: Thursday 1 November, 12.30-1.30pm

An Ordinary Kind of Ornament is an installation which transforms dust into an ornamental carpet. At the end of the exhibition, visitors can watch the work being swept away. Its fragile and temporary existence, seeks to shift the value of the work from the concrete object, to the transient realm of experience. Hannah Bertram is represented by Dianne Tanzer Gallery, Melbourne.

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opportunities

by admin on October 29, 2007

in News+Letters

Umbrella collective – delightful things for christmas sale.

Chronicle books Contest : Design a Pattern for Our Next Knitting Book [via craft] They are looking for the five most creative, most dream-worthy intarsia knitting patterns. It could be anything, from a jaunty anchor to a geek-chic argyle pattern to a killer alphabet. Whatever pattern you would want to see in a knitting book. Five winners will have their name and pattern printed in the book and be promoted here on our Handmade Thursdays. Winners will also receive a free copy of the book when it comes out next fall. details here.

Also designers have until 5 November to submit their application for Chronicle books Design Fellowships for the Winter-Spring 2008. Four fellowships will provide six-months of hands-on experience to graduates interested in embarking on a career in either book, publication, package, or product design. See info here.

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Alice Beasley is a quilt artist who uses quiltmaking to tell narratives, she tells of the joys and the sorrows that she comes across in her life. This quilt is titled ‘home street home’.

Over the next few weeks I will be posting on quilts with attitude, many of these are fun and contemporary dealing with social issues and metaphors, but there are also lots of political artist quilts coming to my attention. I am not surprised about this, artists are often at the front of the line when it comes to political protest and speaking up about their social beliefs. And women in particular have a long history of protesting against the government through quilts. Yes, political quilts have a long history.

This quilt is by Carolyn L. Mazloomi, and is titled “strange fruit” she says My quilts are visual stories layered with historical, political and social conditions that call attention to the circumstances of people around the world, especially women. My intention is to invite the viewer into contemplation, raise awareness and feel the spirit of the cloth.

As long as quilt making has been around, women have used this traditional craft to tell stories, to capture life’s joys and sorrows, and often part of this means to express their political convictions. Many generations of women weren’t allowed to express their thoughts in print, in public, or in the voting booth, but they could express them through cloth, they used their needle to tell the world what they thought. Just imagine those genteel gatherings of Victorian ladies stitching over a cup of tea, while really they were plotting strategy for the suffrage movement.

Gwendolyn Magee, is another artist whose work is a dramatic narrative telling the story of the African American experience. This work is from her ‘Lift Every Voice and Sing series’. The image of a chained woman being cruelly whipped even though her womb is heavy with child graphically illustrates the dehumanization of slaves.

Today political quilts or quilts with a social conscience are not that common, much of today’s quilting revolves around beautiful fabrics and interesting patterns – however there are many artists who use the quilt medium to express their thoughts on todays big issues.

Marion Coleman creates work that addresses family, history, nature, culture traditions and social themes. These pieces utilize color and figurative imagery to educate, entertain, inspire and stimulate ideas and discussion. this quilt is titled ‘Angry Young Men’ and is a social commentary on violence, criminal justice system, community ambivalence to the loss of a generation of young adults.

You may have noticed that many of these quilts mentioned are by African-American quilters. While I was searching for political and narrative quilts, I kept coming across the African-American story being told in quilt making. I think that because their story/history has been a struggle for survival, they are perhaps more aware of the struggle of others, while many African American quilt artists work deals with their own history, there is also a large proportion who are moved by others stories too, that of the homeless, youth, immigrants and the aged. Looking into the history of African American quilting I found that their quilt making traditions are long and serve as visual records of patterns of migration and settlement and are linked to textile traditions found in West Africa. Quilts are also used to document family history, and relationships and events.

Penny Sisto, Immigrant Series 2007 :: THEY CAME BY SEA, The images, the beings on my work haunt and whisper to me as I make them live. I learn sometimes things that only they can tell, as I sew the edges of their world.

online article resources

(full article).
(full article here)
black threads

related:

Be sure to go and see (if you can) Will the Circle Be Unbroken August 11, 2007 – November 25, 2007 at Brattleboro Museum & Art CenterFour Generations of African-American Quiltmakers Improvisational quilts made by four generations of African-American women in one Texas family—Gladys Henry, Laverne Brackens, Sherry Byrd, and Bara Byrd.


Something Pertaining to God: The Patchwork Art of Rosie Lee Tompkins
May 20 – October 28, 2007 20 Shelburne Museumquilts and several smaller quilted pieces are exhibited in this first solo museum exhibition for the acclaimed quiltmaker Rosie Lee Tompkins.

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Bend-the-Rules Sewing: The Essential Guide to a Whole New Way to Sew by Amy Karol (website here) published by Potter Craft (June 19, 2007)

The popularity of the patterns in the book speak well for just how cool this book is. I think the philosophy behind this book has come at a perfect time. Many people new to sewing or even old hands like to improvise and adjust and change and that is what this book is about. How to bend the rules and when it is appropriate to do so and when it is better not to. As well as those important bits this book has good instructions and illustrations as well as fun and varied projects to try out your new found sewing skills if you are a newbie, or nice and easy projects to get some instant gratification if you are a more experienced sewer.

The patterns are fresh, a new take old ideas, lot of variations and neat ideas, tricks and tips to get you sewing. Lots of people out there have been making these patterns (over 1000 entries in the flickr group) it seems that lots of other people thought these patterns for great for the same reasons as me – simple and clever designs with good outcomes. My particular faves are these three patterns – what were your faves?

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