March 2011

Welcome Sky Turtle to WhipUp.net – a self-taught seamstress living in Barcelona, Spain. Her blog is about sewing, cooking and generally having fun.

A Fancy-Pants Tshirt Hack

There something magical in the simplicity and democracy of a tshirt. Man or woman, thin or not so much, young and young at heart, the tshirt is one design that fits all. They are comfortable, smart and they don’t ask for much.

From a crafty point of view, the shape and fabric are easy to work with (did anyone say ‘no fray’?), plus you can get them very cheaply, in all colors, sizes and prints. And what’s cooler than saying: “Oh, I made this out of a tshirt I had laying around the house.”

So today – like everyday – we hack. We cut and paste and sew and trim. And we shut up with the motivational speech and dead poet society momentum and proceed with the tutorial.

How-to:
1. Get a tshirt that’s a few sizes bigger than your own.
2. Get another tshirt that fits you well to use as a pattern.
3. Turn your big tee inside out. Now, taking into consideration you pattern model, cut and shape your large tshirt. I also cut the neckline, but you can use the original one if you want.
4. I used another tshirt in a contrasting colour, cut a part of the sleeve and pinned it as a continuation of the original sleeve to make it longer. You can skip this step if you want.
5. Now pin your newly cut tee. And sew.
6. Now cut a semicircle in the shoulder area. Repeat for both sides or just cut one if you’re daring.
7. Hem your neckline and your shoulder decoupage and enjoy.
8. I decided I like it more without the green part, so I removed it in the end.

And that it. No serger, no monkey business. Just remember to use a zig-zag stitch if you’re using a sewing machine or pull the fabric a bit when you’re sewing if your machine looks like it can’t grab the thread underneath.

And keep experimenting; that’s the fun of it.

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You all know Kathy Cano-Murillo as the Crafty Chica – author of numerous Latino and glitter style craft books such as Crafty Chica’s Guide to Artful Sewing, The Crafty Chica Collection and Crafty Chica’s Art de la Soul: Glittery Ideas to Liven Up Your Life. But what you may not know and I didn’t realise until recently either is that Kathy also writes crafty fiction – Waking Up in the Land of Glitter received a lot of attention as a fun easy to read novel about women who come together through their love of craft.

This blog tour is about her latest crafty novel – Miss Scarlet’s School of Patternless Sewing. About a girl with a dream and a love of sparkle, who loses sight of what is important on her journey to greatness, but finally redeems herself with the help of her crafty friends. A great rainy weekend read, it has it all – love and romance, friendship and family, blogging, craft and glitter, there is also a bad guy and naturally a fairy god mother.

Miss Scarlet’s School of Patternless Sewing pays tribute to Carmen Miranda, and I loved finding out about this amazing women – a Portuguese-born Brazilian samba singer, actress and film star (1940s and 1950s), known for her extravagant costumes, hats and jewellery – particularly her fruit hats. Check out her gorgeous costume in Week-End In Havana”, 1941, from Fox Studios (youtube video) Don’t you just love it! Lots of crafty inspiration there.

Today Kathy joins us to have a chat about her craft philosophy and the writing of this book and gives us a practical writing exercise to work on too!

Kathy’s book/blog tour is huge and she is visiting a lot of writing and craft blogs to discuss her latest book - check out the whole blog tour here.

Craft and life philosophy: we vowed to live a life of art, music and writing
When my husband and I were married in 1990, we vowed to live a life of art, music and writing. Now, 21 years later, we’re still doing that! It takes a lot of “hustle” to keep that kind of lifestyle going, but it all comes down to doing what you love. It makes all the sweat and tears worthy! But between writing, painting, designing projects and blogging, it’s easy to get overloaded on being creative. That’s where writing steps in. I started writing long before I began to craft. It has always been a release for me. I’m able to step away from my busy life and build someone else’s. It’s much like creating a fantasy world. When I craft I often think about my storylines and characters, that way when I sit down to write, I have a wealth of images and ideas to draw from.

A practical exercise in writing: Find a weird item or art piece you made and think about what kind of person would buy it
I do think writing can be a great exercise for artists. Find a weird item or art piece you made and think about what kind of person would buy it, think about a back story of why they liked it. Write it out and embellish with action verbs, visual setting, colors, and mannerisms. Make it a theme for an art journal spread. See it with your mind and then sit back down at your art table and translate it. Not only is it a fun exercise, but it will be a cool story to share about your piece when it comes to selling it or showcasing it.

About this book: I believe all crafts we make are our way of processing emotions
When it came to writing Miss Scarlet’s School of Patternless Sewing, I introduced my main character as a thirty-year-old who loves to sew and create. She teaches a freeform sewing class, but not all of her students are as skilled as she. I did my best to show a story arc where they began at zero and grew into their own degree of crafting, and then took it in their own personable direction. Of course, there is a lot of drama involved. I believe all crafts we make are our way of processing emotions, so in my novels, I want to show what happened in these characters’ live to push them to the point of not wanting to create – but needing to!

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So excited about the response to the Action Pack – you guys rock!

The Action Pack: A mini-mag for kids who want to do stuff! Ticks all the boxes …

√ It’s for both boys and girls – so important to encourage creativity and experimentation in all children!

√ It is ad free – no commercial distractions for children.

√ And all the projects relate to children’s real world experiences.

If you don’t yet have the Action Pack you can get it here:

See an excerpt from the Action Pack at The Storque

Thanks to all the lovely bloggers who have reviewed and offered giveaways and said lovely genuine things about the Action Pack:

What they are saying about the Action Pack:

  • Enough projects for a fun-filled and educational weekend. Imagine the understanding of these materials a kid can gain from approaching them from all these different directions!
  • something about the simplicity of Beeswax Boats grabbed me deep down, smack in the center of my childlike heart that loves to ponder the beauty and wonder in the little things.
  • This sounds wonderful! My son would love the science experiments.
  • My daughter is nutty about oragami currently and all three of my kids go crazy over science experiments. This sounds like something we’ll be combing through and trying almost anything.
  • I am really trying to teach them to have fun in the kitchen, so some fun, kid-friendly recipes would be very welcomed.
  • I have a budding cartoonist/artist in the house who would dig the bee drawing activity.
  • I’m running out of activity inspiration after this very long and snowy Maine winter! An Action Pack sounds like the perfect solution!

Have you a copy of the Action Pack yet?

If not get yours now!

We love it and we hope you do too!

And thanks to these wonderful fellow mothers and bloggers for reviewing and mentioning the mag:
DesignMom :: Charlotte’s Fancy :: The Long Thread :: Maya*Made :: CraftZine :: DollarStoreMom :: CraftGossip :: Luvinthemommyhood :: The Crafty Crow :: Fancy House Road :: JcasaHandmade :: wisecraft :: pink mela :: CraftyPod :: FormWork :: iVillage :: etsy how-to tuesday :: tsjphotography :: CraftSanity :: DuoFiberworks :: TaylorMade :: SimpleKids :: Canadian Living :: Babble ::

New:

- Whipup.net now has a Facebook page
- Whipup.net has a shop page
- And you can grab a new design Whipup.net badge

Guest blogger Series 2011

Jenny says Own what you sew :: Jessica offers a cute scrap fabric bow tutorial :: Leethal offers a knitting pattern :: Prof Wolf says Listen to your hands :: Laura interviews Love in stereo :: Maya talks about cutwork :: Molly offers a creative peanut butter jelly game tutorial :: And Sooz talks about her knitting machine obsession.

So it really has been a jam packed week – but wait there’s more: :)

So much to do – so little time.
Kathreen
xx

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I would love to welcome Jeni from incolororder to whipup today.

I’m Jeni! I’m finishing up my degree in Marketing and Studio Art in Northeast Ohio. I love to find ways to be creative everyday, whether it be through my photography, sewing, or my current favorite hobby, quilting! In addition to sewing, I love to collect vintage kitchenware and vintage sheets! :)

It’s been a rising trend over the last few years for sewers and quilters to sew with reclaimed vintage sheets! It’s a great alternative to quilting cottons that gives your projects a unique twist! Interested, but don’t know where to start?

I’ll walk you through the basics!

1. Identifying Vintage Sheets: Most vintage sheets are relatively thinner than new sheets because they have been washed so many times. This makes them super soft! Most of the sheets that I find are cotton polyester blends although there are some 100% cotton sheets out there as well.

2. Care: When I get home with an armful of vintage sheets, they go in the wash right away. I wash them with hot water using regular detergent and a generous scoop of Oxi-clean. This helps brighten them and get them super clean! I then dry on high. Once they’ve been pulled from the dryer I lay them flat on the bed to cool down. They don’t generally get too wrinkly because of the polyester.

3. Sewing: Sewing with vintage sheets is a lot of fun and not all that different from sewing with quilting cottons! They are a little slippery so extra pinning is helpful. Make sure you have a sharp new needle! Be mindful of what you’re sewing, since they’re lightweight you may need to use some light interfacing to add a little body!

4. Where to buy: I purchase all my vintage sheets from thrift stores! Here in the midwest it’s a sheet gold-mine! Check your local thrift stores often and find out when their sale days are for extra good deals! If you don’t want to buy entire sheets, there are a lot of sellers on Etsy that sell vintage sheet fat quarters, or by-the-yard!

I love sewing and quilting with vintage sheets. It’s a really satisfying feeling. First, the fabrics are super cheerful and sunny! Secondly, you’re recycling, you’re giving them a second chance to shine! To make something beautiful from something discarded is a wonderful thing!

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Welcome Jenny Wilding Cardon, author of ReSew andThe Little Box of Baby Quilts. Her designs have appeared on the covers of Quilts and More and Quilt It for Kids, and in McCall’s Quilting. She writes about her sewing, thrifting, and family life at the WildCards.

Own What You’ve Sewn (A testimonial. And a tutorial.)

Hi! I want to thank Kathreen for inviting me to guest post at Whipup, which I’ve been happily following for a few years now. The ideas she brings to my screen are always fun and inventive and inspiring. But you know why I fell in love with Whipup in the first place? The manifesto. Have you read it? It’s written with humor. And it speaks to what I believe in my heart about all things handmade. Because I believe handmade can change the world. Well, maybe not the whole world. Not all at once. But it can change yours. It has mine.

I started designing clothes in high school. I had no idea what I was doing. It was fabulous. The pieces I created were eccentric, oddball, attention-grabbing, and sometimes, downright wacky. Too shy to draw attention to myself, I would force my more confident friends to wear my creations to school. When people found out I had made this or that, they would ask me about it. “Did you make that?” they would say. I would look down at the ground, turn on my heel, and walk away.

I loved the stuff I made. I just didn’t have the guts to “own” it.

During my college years, making stuff took a back seat. I tossed my passion aside to focus on my degree. After graduating, I moved to Seattle and took a job as a copywriter with a book publisher. But not just any book publisher. A craft book publisher. I started making quilts alongside my co-workers. I started decorating my house with stuff I made. And then—after one of those daring fashion friends from high school reminded me—I started to remember how much fun I used to have making kooky, offbeat stuff with abandon.

The passion I had tossed aside and forgotten (much like a shrunken wool sweater) was back. And (much like a shrunken wool sweater) it was begging to be brought back to life and transformed into something I valued again. Something that would share a little about who I am. Something I could imprint my style and sass on. Something that spoke about me.

Since I started my passion back up—full throttle now—I’ve created an intention. My intention is to “own” what I make. Make no mistake about it: what I make isn’t just a piece of clothing, or an accessory, or a quilt or a rug or a bag. It’s also my voice, speaking to you. And that’s something that the big-box store down the street, sporting its racks and rounders jam-packed with the safe and the same, can’t do.

Maybe what you make speaks that way, too.

When it comes to speaking about what I make now, there’s no more heel-turning. I grind my heel into the ground. The stuff I make speaks first, on its own. But then I speak too. And here’s what I say. Family, friend, employee, coworker, stranger: “Did you make that?”. Me: “Yes”. There’s the testimonial. (Cheers if you got through it.) Now, on to the tutorial!

This is what I call a “sleevelet,” made from the sleeve of a shrunken wool sweater. (And looky above. I’m wearing it. How about that?). Read on to learn how you can make a sleevelet too. A WildCards tutorial: sleeve + bracelet = sleevelet!

What you need:
- A shrunken wool sweater (the sleeve needs to fit your wrist and arm snugly), scissors, embroidery thread, and a yarn needle.

How-To:
1. (A) Cut any ribbed cuff off of one sleeve.
2. (B) Cut the remaining sleeve into at 7″ tube. (You can make the sleevelet longer or shorter if you want to incorporate part of a design or motif.)
3. (C) Turn the tube inside out. Turn one end of the tube right side out until the end meets the center of the tube. So for a 7″ tube, turn the end 3 1/2″ toward the center of the tube.
4. Repeat for the other end of the tube. Now both ends of the tube should meet in the middle. This is the RIGHT side of your sleevelet (the side with the seam showing.)

5. Thread your yarn needle with a long length of embroidery thread, using all six strands. (As an alternative, you could also use perle cotton or even yarn). Tie a knot at one end. Starting at the sleeve seam, bury the knot in between the two layers of the tube. Take two rounds of stitches. For the first round, use a whipstitch to sew the two ends of the tube together all the way around the tube, making stitches 1/4″ apart. For the second round, make stitches close together to completely cover the raw edges where the two ends of the sleeve meet. No need to stitch through both layers of the sleevelet; only stitch through the top layer. When you need to start or end your thread, simply knot the thread and bury it in between the tube layers.

And that’s about it. All done.

If you like making stuff out of stuff that’s already been made—upcycling, repurposing, refashioning, and the like—you can check out my new book ReSew: Turn Thrift-Store Finds into Fabulous Designs in this video, or at my blog, the WildCards.

Thank you again for having me here, Kathreen!

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Today I would like to welcome Jessica Fediw to whipup, Jessica blogs at Happy Together. There you can find all kind of tutorials and free patterns.

I love to create especially by sewing and crocheting, and also have an Etsy shop. With that said, I am always looking for ways to use up scrap fabrics, even the tiniest bits are hard for me to let go of. So one day I remembered some bows I had made a while back and figured that I could do the same with fabric. Guess what? It worked! And I like it :)

Fabric bows tutorial:

What you need:
-Scrap Fabric (for the one I created for my daughter specifically you will need 8 pieces of .5″x4″ and 5 pieces of .5″x4″)
-Hot glue gun
-Something for the center (a button; fabric yoyo; fabric rosette)
-Piece of felt for back
-Optional: pin back or hair clip

1. Cut out your pieces. You can add as many as you like to make it “poofier” or make the layers longer to make it larger, etc. I also starched and ironed them.
2. Glue the short ends of each piece together to create a loop, wrong sides facing.
3. Glue two of the long pieces together, right across from each other.
4. Continue to glue on the rest of the long pieces evenly.
5. Then glue on the shorter top pieces. I just filled in the spaces of the bottom ones for an even look.
6. Glue on the center piece of your choice.. I added a button to this one, but you could add a fabric rosette or yoyo like I did on the other ones below.
7. Use a round object (such as the bottom of a glue bottle) to trace onto the felt. Cut it out and glue it on the bottom of the bow to cover up the glued pieces.
8. Glue on a pin back or hair clip if desired.

Now you can clip it into a little cuties hair or add it to a card or a present!

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Today I have the pleasure of welcoming Lee Meredith to guest blog at Whipup. Lee is a maker of things and doer of stuff.

I live in Portland, Oregon and focus mainly on designing knit accessories, but I also dabble in all kinds of crafts, and write about them all on my Blog Do Stuff! . I also run a website, leethal.net, where you can find all my knit designs, embroidery stitch sets, tutorials, yarn, and more!

Sideways edge cast-on and a free knitting pattern: Cassady

Awhile back, I developed this technique that I’ve been using in a lot of my patterns lately, which I call a sideways edge cast-on. It’s not what you normally think of as a “cast-on” because you’re knitting a whole piece at the same time, any way you want, but you’re leaving new stitches along the side, which you go back to later and knit across, which is why those stitches are essentially cast-on stitches. It’s a way to knit something in 2 directions without ever having to pick up stitches or sew seams. Anyway, I wrote all about the technique here, but it’s kind of hard to grasp just by reading about it, even though it’s very easy to do!

So, I wanted to offer up a free pattern using the cast-on method, as a kind of introduction to show you how simple it really is! Cassady can use any yarn and needles, works up pretty quickly, and uses only garter stitch, a couple of increases, and 4 different decreases. It’s a great pattern for an adventurous beginner knitter, ready to try out some new techniques, practice some new increases+decreases, but keep it small and simple.

Once you try out this kerchief and see how easy the technique is, maybe you’ll want to put it to use with one of my more complex customizable patterns! My Custom Tritops hats and the Betiko shawl, both pictured here, take advantage of the sideways edge stitches to make completely custom sized, any-gauge, super versatile designs that you can knit again and again in all different ways!

Cassady Pattern

Cassady is a great way to show off a nice multi-colored yarn – since it’s worked in two different directions, variegated or self-striping yarns will really make the most of the design. The yarn I used here is some beautiful hand-dyed worsted weight merino wool by Knitted Wit, perfect!

This pattern works for any gauge, so you can choose any weight yarn, and the appropriate needle size to match. Worsted weight and finer will work best, as a bulky yarn will make for a bulky kerchief, not ideal; sock yarns will work wonderfully! There’s no need to do a gauge swatch, unless you want to check if a certain needle size will work well with your yarn – the whole pattern is garter stitch, so do any testing in garter (knit all, flat).

- Use either 1 very long circular needle (at least 32″ but longer is better), or use any shorter circular (16″ is fine) plus a set of straight needles (2 double points would work, or a second circular) of the same size. The whole piece is knit flat, but the circular cord is necessary to hold the extra sideways stitches.
- You also need 1 stitch marker, and a yarn needle to weave in ends.

Abbreviations:
st(s) = stitch(es)
k = knit
kfb = knit into front of stitch, then into back (increases 1 – see here for help)
k2tog = knit 2 stitches together (decreases 1 - see here for help)
m1 = lift a strand of yarn between the stitches on the right and left needles, with your left needle, from front to back, and knit into the back loop (increases 1 – see here for help)
p2tog = purl 2 stitches together (decreases 1 – see here for help)
p2tog TBL = purl 2 stitches together through the back loop (decreases 1 – see here for help)
ssk = slip, slip, knit slipped stitches together (decreases 1 - see here for help)
RS = right side
WS = wrong side

Note:
If you’ve never used short rows before, you may find them weird at first and feel like you’re doing something wrong – you’re not! There is no need to wrap stitches or anything like that which normally happens with short rows, but you will just be turning your work before knitting across the entire row. When the pattern says “turn,” do just that. Stop working in that direction, turn your work, and start working back in the other direction. This is how those sideways edge stitches are formed, it’s magical!

If you’re using 2 sets of needles, start with the circular.

Start first strap:
- Cast on 1 (just make a slip knot and place it on your needle).
- Row 1: Kfb (2 sts now).
- Row 2: K all.
- Row 3: K to last 1, kfb.
- Row 4: K all.
- Repeat rows 3-4 until piece measure about 1.5 inches /4cm across.
- Knit all, both sides, until piece measures about 8 inches /20cm long.

Start sideways edge cast-on section (creating new stitches along the side edge of the piece):
- Setup row: Kfb, place marker, k to end.
- WS row: K to marker, pass marker, k1, turn.
- RS row: Kfb, pass marker, k to end.
- Repeat last 2 rows until the section with sideways stitches measures about 14 inches /36cm long, or until it comfortably stretches to about 20 inches /50cm, or until that part reaches around your head.

If you’re using 2 pairs of needles, then start using your separate needles now. *After the following row, pull the end of the circular so that the sideways stitches are all on the circular cord, to avoid the chance of them slipping off the end of the needle.

Ending sideways edge row:
- K to marker, remove marker, k1.*

Start second strap:
- If you’re using 1 long circular needle, at this point you’ll need to pull the end of the needle which is coming out of the sideways stitches (the stitches not being worked) so that all those stitches are on the cord (not the needle points). You’ll use the 2 needle points to continue knitting the other side of the strap, but with the cord in between holding onto all those sideways stitches, which don’t get touched for now.
- Knit all strap stitches (the live stitches that you just knit, not the sideways edge stitches) until strap piece measures about 6.5 inches /17cm, or the same as the other strap up to where it comes in at a diagonal, or longer if you prefer asymmetrical straps.

- Strap point row 1: K to last 2, k2tog.
- Strap point row 2: K all.
- Repeat those 2 rows until decreasing down to 1 stitch.
- Break yarn and thread through stitch.

Start triangular section:
- Slide circular needle into sideways stitches so the point is in the side that you started on (not the side you just finished on), and begin working into those stitches.
- Setup row: K1, [m1, k2] repeat across to end of row (you may end after k2, or k1 depending on how many stitches you had).
- WS row: P2tog, k to last 2, p2tog TBL.
- RS row: Ssk, k to last 2, k2tog.
- Repeat those 2 rows until there are either 2 or 3 stitches remaining.

- If there are 2 stitches, then: Ktog if you’re on the RS row; p2tog if you’re on the WS row.
- If there are 3 stitches, then:
- RS: Ssk, slip that stitch back over to the left-hand needle, pass remaining stitch over ssk’d stitch.
- WS: P2tog, slip that stitch back over to the left-hand needle, pass remaining stitch over p2tog’d stitch.
- Break yarn and pull through the last stitch.

Weave in all your ends, and block as you want to (blocking isn’t especially important with this piece).
Tie it on around your head, or around your neck if you like!

Now, hopefully you have an understanding of how the sideways edge cast-on works and you can take it into your own projects! Happy knitting

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Today I want to welcome Guillaume Wolf “Prof G.” who is transforming the way we feel about creativity. The French author, teacher and mentor is showing people around the world how they can activate their creative power in any area of their lives. He self published, “The Creative Advantage Book” which reveals his easy, step-by-step formula, so you can learn how to think, feel and act like the best Creatives in the world – to create the results you want. We reviewed his book here.

There is something amazing hidden in every craft project: the capacity you have with your hands to create beauty (sometimes using the simplest of elements). Craft is, in a sense, “beauty created out of nothing” — which is quite extraordinary when you think about it.

Whether you choose to playfully customize an everyday object, or focus on creating unique pieces, the “act of craft” feels like a meditation: the sense of time disappears, and everyday problems seem to vanish. In Flow: The Psychology of Optimal Experience, psychologist Mihaly Csikszentmihalyi describes this state where “Concentration is so intense that there is no attention left over to think about anything irrelevant, or to worry about problems. Self-consciousness disappears, and the sense of time becomes distorted.” This is the bliss of craft.

And when you’re in the zone, this is an opportunity to let your creative mind roam free. New ideas will come to you, untold possibilities will suddenly arise. I call this method to find new creative ideas the S-Process (S stands for subconscious). And while other artists might enter this space through their brains (writers, philosophers, scientists etc.), in the craft sphere it is your hands that serve as an entry point — they are the key to the poetic dimension in your life.

Take a moment and look at your hands — what do you see? Isn’t it interesting that all your life appears on these little fellows? Every single moment that ever counted (good or bad) is here. Your hands carry their own memory and everytime you connect with them, you tap into the wholeness of your life. This is perhaps why craft projects can be so vibrant.

On your next craft project I want to invite you to do two things:
1. Bring a notebook and write down any new idea that comes to you while you’re in the “act of craft.” See what comes up.
2. I also want to challenge you to listen to your hands. What do they want to do next? How far do they want to go?

Listen, and follow their gentle whisper, you may be in it for a treat.

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Welcome Laura Wilson, pattern designer and artist, who lives in rural TN, USA. She blogs about sewing, motherhood, and simple living at We Wilsons.

Hello, crafty friends! Today I want to introduce you to my friend Brad Montague, co-founder of Love In Stereo, a movement of artists, fans and friends united together to make a global impact. Seeing all of the good work they do has made me want to find more ways to do good in my life and through my work. Maybe you feel that way, too? Brad has some great advice and thoughts on how to get started.

Laura: Can you tell us what Love In Stereo is all about?

Brad: Love In Stereo works to increase collaboration between artists, causes and everyday people. We do this by setting up projects in neighborhoods all over the world. Sometimes it’s a product (like an album, shirt, or handmade item). Sometimes it’s an event (like a concert, art show or film screening). We always start with a need and then work to address it in whatever creative way our community comes up with.

Laura: In what way have you found that artists are uniquely capable of doing social good?

Brad: Whether it’s creating a product to sell for good or aiding in an experience that will bring relief, artists are and always will be at the heart of all powerful social change. Artists are willing to collaborate. They can solve problems quickly and creatively, because they know their greatest resources are their relationships. This is key. Artists also have the ability to communicate in profound ways. In areas across the world affected by extreme poverty it is the artists who are the hope bringers. They are the ones telling the stories that need to be telling and affecting change in the process.

Musicians, visual artists, filmmakers, crafters – they all want to know that what they’re doing makes a difference. Traditionally artists have been used to help ‘raise awareness’. There’s some value to that, but we think artists can create work that not only inspires change, but also creates it. We want to see creativity used to meet needs and make solutions.

Laura: Is raising money the primary means of doing good? What other ways have you seen artists making an impact?

Brad: We originally started as something like a non-profit record label. (Some in the music industry would argue that all record labels are now non-profit.) The thinking was: let’s create a product and raise funds for a good cause. Nice idea. Nothing wrong with that. As we’re heading into our second year our thinking has changed. It’s more than raising awareness and raising funds. It’s about addressing a need and building a community around that need. Money will always help, but it is in no way the final answer.

We’re seeing that artists are making a big difference not just by the products they create, but by the communities they build. Whether it’s a collective like Ember Arts who come together to create beads and jewelry to aid women in Uganda or our team of friends in Florida at Humility Now who create in hopes of ending homelessness there are people all over who embody the Love In Stereo rally cry: “Together, we’re louder.”

Laura: What advice would you give an artist who wants to make an impact for a cause they care about?

Brad: There are some ridiculously talented people who read this blog. I’d love to see what ideas they might have. I’d also love to team up with them. My advice? First: Do it. Right now. Get moving on it. You have the ability to make a difference, but only if you actually do something! Second: Don’t do it alone. Allow your project to do and be more by bringing in others. Allow your friends the joy of being a part of something that does good.

Get involved with Love In Stereo:
Twitter: @love_in_stereo
Facebook.com/loveinstereo

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Welcome Maya from Little Treasures to Whipup.

Hello everybody! I cannot tell you how excited I am to be here! My name is Maya and I blog over at Little Treasures. My blog is about crafts and I am always elbows deep in projects. Drop by and say hi!

Today I would like to write about embroidered lace commonly known as cutwork. Cutwork embroidery is an enchanting and eye-pleasing form of needlework where portions of the background fabric, as the name suggests, are cut out and discarded, while the edges are worked over in variety of stitches (satin and buttonhole stitches being the ones used the most).

Once used to decorate bed linen, this method swiftly turned into a trend of decorating clothing. There are many kinds of cutwork, the simplest being Broderie Anglaise while the most elaborate of all is the Reticella cutwork (see example below).

The basic steps into employing cutwork are the following:

Transfer the pattern onto a cotton piece or linen and use the reinforced running stitch to stitch it all.

Carefully cut the fabric paying attention to those portions having bars. Cut carefully under the bars.

Use the buttonhole / satin stitches to embroider the piece tucking the cut-out piece underneath. * Note: Some people make the stitches first and then when finished do the cutwork, which should be immensely precise or you may cut into the stitched part, thus I am safer with this method.

You are done. When washed and pressed with a hot iron the cutwork will gain a fabulous, rich and neat look.

Since I am addicted to colors I used cutwork for my dress and made a necklace.

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