March 2011

I am really happy to have Mollie from Wild Olive joining us at Whipup today.

I’m so happy to be here today! When I was a little girl, one of my favorite games was a Pop-O-Matic game where you built peanut butter & jelly sandwiches out of foam. I still have the game, but the foam has started to age and I don’t want anything to happen to this dear memory. But I got to thinking, I bet I could make a similar game out of felt, and I’m sharing that with you too. Are you ready? It’s peanut butter jelly time!

Here’s what you’ll need:

- PB&J template [download the PDF here]
- felt in cream, light brown and purple (or the jelly color of your choice!)
- embroidery floss in tan and black

To Make:
1. Using the templates, cut out all of the pieces.
2. Embroider faces onto the bread with black floss. (After all, this is a Wild Olive project, and I like things with faces!)
3. Use a running stitch to sew around two bread pieces with tan floss. Repeat for each set.
4. Sew a cube, with matching colors on opposite sides of the cube, and leave a small opening. Add just enough stuffing to keep its shape, then sew closed.

To play:
1. Take turns rolling the die to collect pieces and assemble your sandwich in order. The colors of the die indicate which piece you get on your roll.
2. You must start with a piece of bread, then add peanut butter and jelly in any order, then finish with a piece of bread (with a face!).
3. The first one to complete their PB&J sandwich wins!

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It’s really exciting when you have a vision to create something and other people totally get it!


  • Yes its gender friendly – The projects in here are suitable for both boys and girls.
  • Yes it costs $5 – the price of a cup of coffee – and there are no ads – which I think is terribly important for kids.
  • Yes the projects in here relate to kid’s real world – use natural and healthy materials and help kids to explore their creative side.

If all that sounds like you and your family then you need the Action Pack! :)

What others are saying about the Action Pack:

  • “I will happily pay for a high quality, fun, creative magazine. Especially if there are no ads!”
  • “I am always on the lookout for cool project ideas, especially ones that relate to their real world and use natural materials.”
  • “What I love best is that its gender friendly. Yay.”
  • “So excited to see something geared towards children 7+. My boys are 6.5 and 8.5 and it can be a hard age to find stimulating and effective activities for.”
  • “We are slowly trying to unplug our house and this magazine looks like a great addition to our arsenal when we hear “what can we do?”.
  • “This is brilliant and I want to affirm Kathreen for encouraging kids to get off the couch and explore their creative side. … I’m sure younger kids would also benefit if their parents have the time to explore it with them.”
  • “I’m always looking for new fun things to do with my boys!”

Have you a copy of the Action Pack yet?

If not get yours now!

We love it and we hope you do too!

And thanks to these wonderful fellow mothers and bloggers for reviewing and mentioning the mag: (there are some giveaways too)
DesignMom :: Charlotte’s Fancy :: The Long Thread :: Maya*Made :: CraftZine :: DollarStoreMom :: CraftGossip :: Luvinthemommyhood :: The Crafty Crow :: Fancy House Road :: JcasaHandmade :: wisecraft .

New:

- Whipup.net now has a Facebook page
- Whipup.net has a shop page
- And you can grab a new design Whipup.net badge

And have you been keeping up with all the wonderful guest bloggers at whipup.net? :
Sooz talks about knitting machines :: We hosted Abby on her Artful Bird Blog tour :: Lizzy came and talked fabric design :: Liz discussed her amazing kickstarter project :: I reviewed machine stitch perspectives :: Kathrin showed us how to make some really quick and cool refashioned jewellery :: and Kate reviewed Knitting it old school.

So it really has been a jam packed week – but wait there’s more: :)

So much to do – so little time.
Kathreen
xx

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Today I want to welcome Sooz to Whipup. Sooz blogs about crafting and the rest of life. She’s been sewing and knitting for more years than she’s inclined to count and devotes whatever time is left after the demands of family life and the day job to teaching, designing and infecting as many people as possible with the making virus. She lives in Melbourne with her smalls, her bloke and the stash.

It started with an op shop find too good to refuse – a fully kitted manual knitting machine for $40. And then the discovery of a group from the Machine Knitters Association, especially for novices and conveniently located in my very suburb. Despite my best efforts to resist a new craft and a starting point of complete ignorance and lack of prior interest, fate seemed to intervene and I got hooked.

And now it seems not only am I loving the knitting and accumulating machines and stash at an alarming rate, I have also ignited the interest of quite a few others. Between other newbies like myself and the more seasoned members of my Machine Knitters Association group I have found a really exciting world of shared skill and new possibilities.

I have to admit that at least part of the appeal is the way machine knitting has gone from being a significant mainstream craft (everyone seems to remember an aunt or gran who used to do it) to near extinction in a single generation. Thousands and thousands of these machines flooded into Australian homes in the 60s and 70s and then just as quickly they left the market and ended up in op shops and garages or even worse, at the tip.

The women who have maintained a connection to the craft – those I have met through the Association and via sales and other forums – are astonishingly knowledgable and deft. They know about different makes and different models, they know how to make these quite complex machines work at their simplest (for dodos like me) or accomplish feats of wonder, they know about yarns and suppliers and tricks galore.

I can’t think of a comparable domestic craft which has not only hit the heights of popularity and then gone out of fashion so quickly but where the lion’s share of the tool set has gone out of manufacture too. Gaining a second hand manual machine – particularly one that has been used and well cared for by its owner – feels like a gift across time. It is exciting to feel like I am part of keeping something alive that is struggling to make its way to a new generation of followers, and at the same time like I am discovering something largely new (to my generation at least).

But I also love the whole modern technology conquering boring repetitive manual tasks thing that underlies the knitting machine phonomenon. Don’t get me wrong here, I am also a hand knitter and machine knitting hasn’t changed that one jot. I love hand knitting, I find its repetitive nature a key to its enjoyability, but it occurs to me that the knitting machine was the iPad of its day. By making the generation of large amounts of uniform fabric in very limited time so achievable machine knitting (a) gets boring jobs out of the way fast and (b) opens up the possibility of a much more experiemental and imaginative approach to making garments. I don’t tend to gaily abandon an existing pattern when I am working on a hand knit garment because reworking bad ideas involves weeks or months of work. But when a whole jumper can be made in a day then it is eminently possible to try out even the most outlandish of new ideas. I can now also contemplate knitting a whole jumper in laceweight yarn or an all over lace baby blanket, something I wouldn’t dream of doing by hand.

Like all technology driven activity, machine knitting carries its own frustrations. As anyone who has lost hours trying to install a new printer or remedy a software crash can tell you, dealing with the downfalls of the technology can make you curse your so called productivity gains. Manual knitting machines may be old skool in technology terms, but they are still way more complicated than the pointy sticks and string of the hand knitter and there are infinitely more things to go wrong. But when I am tearing my hair out with the third attempt at a piece I have to remind myself that no matter how many set backs I have I am still completing garments at lightening speed compared to doing it all by hand (a bit like imagining tossing the computer out the window and typing that 2,000 word essay on the manual typewriter, tipex in hand).

I’m only on the start of my journey, there is still much to learn and many garments to be made. Fairisle and lace, ribbed and hand manipulated, knit in the round and double length, plated and woven, socks, jumpers, cardigans and leggings. The possibilities are endless and I’m looking forward to ever step along the way.

Resources:

- Machine Knitters Associations in Australia: Vic :: NSW (Offers a correspondence course for novices) :: SA
- Worldwide listing of associations and clubs
- Ravelry also hosts a range of groups around machine knitting – including a large omnibus group and the local Australian group.
- My flickr gallery of machine knits is here.

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Today I am very excited to be a stop on Abby Glassenberg’s blog tour for her new book – The Artful Bird: Feathered Friends to Make and Sew [published by Interweave 2010].

I have long been a fan of Abby Glassenberg’s work, she makes the most amazing toys and soft sculptures from fabric. This amazing book she has written is incredibly thorough and breaks down the process of making fabric birds in a really accessible way. But today I thought I would showcase some of her amazing work – its not all featured in her latest book – but will give you some inspiration for your own work. I love her use of innovative materials – she uses a lot of recycled materials in her work, and has an amazing sense of colour and texture. In her book she does go into some detail on how to create different textures on the wings through the use of different fabrics as well as sewing techniques.

Patchworked owl

Crested bird – is made with clothing tags

Another amazing thing about Abby’s animals is her eyes – have you noticed their incredible eye details – in her book she goes to some lengths to showcase several eye designs

Hen and egg

Owl

Orange and blue bird

Abby is also really into texture – she is a master of manipulating fabric to create amazing wings and feather textures.

Rooster – feathers made with torn strips of fabric

Parrot – made with stuffed feathers and gorgeous bright colours

Follow on the blog tour

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Today I am happy to welcome Fabric Designer Lizzy House to Whipup.

I have designed fabric professionally now for 4 years, and since then, things have changed. When I started approaching manufacturers I was the only kid at the show. 21 years old with a bow in my hair; I was still in school, I’m not married, I have no children, I was an anomaly to the industry in 2006. Quite a few things have changed since then. The market has become much more saturated with “young” designers, giving peeps involved in this Modern Sewing movement a greater opportunity to find fabric that interests them. In my opinion all of these are great things. The one twist, that I’d like to discuss today, is about becoming a designer in this changing climate. Whether it be because of the industry, the scarcity of cotton, or the bumbling economy, manufacturers are taking on fewer new designers.

That doesn’t mean that there isn’t room for you, if designing fabric is something that you want to do. What it means, is that you have to come to the table fully prepared.

Here are a few specifics to help you get on your way:

1. Your work has to be unique and original. Manufacturers are looking for new. It can’t be your impression of someone else’s work. It needs to be fresh and from your perspective. Take a look at what is out there and see if there is something that you can twist to fill a hole in what’s already available.

2. You need to keep a blog that other people follow. Manufacturers are now looking for people with a built in following. As tacky as that might sound, it makes perfect sense. When they are investing time and serious dollars into you, they need to know that you are a safe bet. So work on building up your internet street cred.

3. Beyond having a blog, your work needs to be out there. Whether you are licensing your artwork, printing and selling with SpoonFlower, or selling it in your etsy shop. Manufacturers need to be able to get an idea of who you are, and you want a sales team to be able to get behind you, just by googling you.

4. Back everything up with confidence and passion. If you believe in your work, it becomes easier for other people to believe in it.

These four things are a good start to helping you get your foot in the door in the Textile World in the Quilting Industry. But what about other fields? Say you are looking to publish a book. A publisher is essentially in the same exact position as a fabric manufacturer. They are just printing books instead of fabric. So you can apply these four points to any end of the craft industry for better success.

If you are looking to find out more about the textile industry you can check out my ebook How to Enter the World of Textile Design for the Quilting Industry.

And if you are hoping to become a published author, you can check out this really helpful post from acquisitions editor for Stash Books Susanne Woods on the Sew Mama Sew blog, and a thoughtful podcast about ins and outs of publishing at CraftyPod.

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