Elizabeth Hartman is a self-taught quilter. She has been making things her entire life but, when she tried quilting for the first time, she fell in love and hasnâ€™t been able to stop. Elizabeth is the author of The Practical Guide to Patchwork, Modern Patchwork, and the popular blog, ohfransson.com.
One of the most important parts of my creative process is maintaining a clean and organized space in which to work. Iâ€™ve been lucky enough to have a designated sewing room for just over 7 years now, and Iâ€™ve learned through trial and error the things that work best for me.Â I want to talk a little about my favorite parts of my sewing room and how they help me to be more productive.
Since the process of making a quilt always involves pulling out and auditioning a bunch of different fabrics, it doesnâ€™t take long before every surface in the room is covered. To keep things simple (both for finding fabrics and for putting them away!) I like to keep my fabric organized by color, with print and solid fabrics stored separately.
I keep my folded fabric in clear plastic drawers that fit under my sewing room counters. The drawers make it easy to put away extra fabric, or to pull out an entire drawer if I want to, say, go through all the yellow prints I have. Since Iâ€™m not always able to stop and put things away as Iâ€™m working, I also keep a â€œto be filedâ€ basket on the counter.
Another thing that I find hugely helpful in keeping my fabric stash organized is editing. I routinely go through my entire stash and pull fabrics that have sat unused for too long, or that Iâ€™m just not as crazy about as I once was. This process was painful at first, but the benefits of having a smaller and less-cluttered fabric stash have made it worthwhile. I also feel better about giving my unused fabric to other quilters who will actually use it.
My design wall has become such an important part of my process that it seems crazy to me that I quilted for so many years without one! A â€œdesign wallâ€ may sound like something super-fancy, but the one Iâ€™m using now is, literally, just a giant piece of cotton batting tacked to the wall. (Some people use flannel, but I find that batting works much better.) Fabric sticks to the batting, making it possible to temporarily place fabric and piecing on the wall, step back, and consider the arrangement.
In order to make my design wall a full 8â€™ x 8â€™, I had to work around a few light switches and electrical outlets. To do that, I started by removing all the outlet covers. Once the batting was tacked up on the wall, I carefully cut away the batting from around the switches and outlets. Then I replaced the covers, which hid the raw edges of the batting I had cut away.
If you donâ€™t have the space for a permanent design wall, itâ€™s quite easy to make a smaller, portable one by wrapping sheets of lightweight foam insulation from a hardware store. The portable wall can be stored under a bed or in a closet when youâ€™re not using it.
As a quilter, I almost never use a conventional ironing board. Instead, I have a counter-height pressing table thatâ€™s about 29â€ x 39â€. To make it, I simply had a piece of plywood cut to match the top of my IKEA countertop. I wrapped the plywood in three layers of cotton batting and one layer of cotton fabric, and used my staple gun to tack the excess batting and fabric to the underside of the board. Simple!
My countertop pressing board stays in one place, but itâ€™s easy to make more portable versions. I have a smaller version that I made by wrapping the top of a wooden TV tray. The smaller version can be set up and used right next to my machine and is portable enough to bring to sewing circle.
Keep things simple
When I was setting up my first sewing room, I approached it as I would approach setting up any other room. I picked regular furniture, I painted the walls red (really!) and I hung up lots of pictures and things on the walls. As a room, it was lovely. As a creative workspace, it was a nightmare. The red walls permeated everything I worked on, and having so many decorative elements around was distracting.
Today, my sewing room is painted a very light gray and Iâ€™ve made a point to choose white countertops, shelving, and other elements. The space is so much brighter and cleaner â€“ like a blank canvas for my projects!