Archive for the 'interviews+people+blogs' Category

Reader submissions: What you make it art zine

Thursday, August 17th, 2006

Check out this online craft zine ‘What You Make It”
http://www.what-you-make-it.com/index.html

It features interviews with crafters and artists. See Janice from Copacetique. It is edited by Melissa Stajda Freelance Artist/Crafter/Web-Designer. Best of luck, Looks like a great project!

what you make it art zine

From Karrie who found this via Funky Finds (another great link-yummy site).


Friendly warning to browsers: I found it slightly awkward to navigate because of the book-metaphor in the design. At the time of writing this post, you can’t click on the names in the table of contents, you have to click on the upper right hand corner where you’ll find a black-on-brown pointing finger, so you can ‘flip’ through the pages. Interviews are broken over several pages. Alas. It’s about the experience I suppose! The editor says she wished she could have printed. :)

Don’t use Flickr for commercial purposes

Sunday, August 13th, 2006

I like Flickr. I like the community of people it attracts and I like the craft groups.

But it is after-all, a photo sharing site. There are alot of semi-professional photographers edging their way into a new career through Flickr. They are not (yet) in the business of buying and selling objects. And they don’t want us to use it for buying and selling.

Lately, I’ve seen alot of talk about this, and noticed a recent ‘crack down’, with accounts being shut down. Do they have something in the works I wondered? I wanted to find out and clarify somethings once and for all. I wrote to the Flickereenos (as they refer to themselves) and got these answers:

1- There should be no links to ‘buy’ a photographed item
from the photo in the Flickr photostream.

True

2- You cannot link to your own blog from your photo
description, if the blog has “links to” sales sites on it.
(This is the most confusion for me, since I often see links
back to longer descriptions on blogs).

If the intent is to sell something, then linking to a blog
isn’t cool. Bottom line, at the present time accounts are
for personal use and not to be used as a vehicle to sell
stuff.

3- You can link to your online shop or blog from your
profile page.

True

4- You don’t give warnings before shutting down someone’s
account.

Depending upon the extent this is both true and false. For
an individual selling their own stuff we do send them a
reminder of our Terms of Service and Community Guidelines
asking them to remove sales links, etc. If the account is
that of a larger commercial entity, we may elect to
terminate the account without warning as is specified in
our Community Guidelines:

“Don’t Use Flickr for Commercial Purposes
Flickr is for personal use only. If you sell products,
services or yourself through your photostream, we will
terminate your account.”

http://www.flickr.com/guidelines.gne

5- You can use a tag like ‘etsy’ on items.

true

6- Having a ‘PRO’ account does not allow you to use the
Flickr site for sales.

true

7- You cannot mark or describe an item as ‘for sale’.

true

Otherwise, in case I missed something, what other FAQ have
you been getting that you’d like to clarify once and for
all?

I think that it’s spelled out clearly in our Community
Guidelines as mentioned above:

http://www.flickr.com/guidelines.gne

Also, if you have anything else you can say officially
about Flickr’s position regarding commercial sales through
Flickr in the future, it would be great to know! ;)

I don’t have anything to share on future plans at the
present time.

Edit, links to read more about Flickr hassle from Etsy sellers

‘my flickr is gone’ thread on etsy: http://etsy.com/forums_topic.php?thread_id=22897
trying to work around the TOS: http://etsy.com/forums_topic.php?thread_id=22390

Carla Pessoa

Saturday, July 15th, 2006

Carla Pessoa is one of my favorite portuguese crafters.Illustration plus fabric plus imagination. And this is the result of her work:

Carla Pessoa es una de mis artesanas protuguesas preferidas. Mezcla la ilustración con materiales como la tela, un poco de imaginación y aquí está el resultado:

Pamela Barsky

Tuesday, July 11th, 2006

I have to admit I hadn’t heard of Pamela until today, I know, my slip is showing isn’t it? *blushes*

For all you crafty entrepreneurs, Pamela’s written an ebook “How to Start a Creative Manufacturing Business”, sounds like the perfect title, doesn’t it.

Excerpt from the book, there’s also a sneak peak, so off you go…

I love my job. But like they say about the army, it may be the toughest job I’ve ever loved. There is the constant pressure of coming up with the next big idea. The grind of trade shows. Customers who cancel orders or don’t pay their bills. Companies who steal your ideas and feel no guilt about it.

But for every employee who is pain in the ass, for every bounced COD box, for every customer who closed up shop in the middle of the night without paying for their goods, for every bad experience, there is the unbeatable joy I get from making my living making things of my own design.

This book won’t give you the grit it takes to start your own business. But if you read carefully, you’ll find everything else you need to know to get you started.

via Oh Joy!

Inquisitive Interview

Monday, July 10th, 2006

Russ Morland

1.Tell us about your artistic background.

I studied Graphic design in England, learnt how to do typeography, magazine layout logo design marketing etc. Kinda different to what I’m doing now but it helped me develop my style. While studying Graphics we had to do art history courses and fine art these two courses opened my eyes to the world of art and i got kinda hooked.

2.Tell us about your influences and style of work.

I was mainly influenced by Marc Chagall, Picasso, Javier Mariscal and Mambo. African art was another huge influence. So I started to develop my own style based around this. More recently i have been influenced by comics and low brow art. Graffiti and murals are also an influence. I’m not sure what you would call my work, maybe pop surrealism?

3.What inspires you to paint and how do you get motivated in the studio?

People, comedy, cartoons, storys, inner demons, money you know the usual. For the most part I feel like I have to be creative, like it’s just part of my daily routine. I love entertaining people and the joy they get from my paintings is a motivation for sure. Motivation in the studio involves music and deadlines. I like the feeling of being a factory. I guess I’m like the class clown that also has a little something more poignant to say.

4.You use the word ‘Lurk’ in your work, can you tell us why?

“Lurk”, came from (yet again) joking with friends about how bad the Junkies and the general transient people were in our very small downtown in Nanaimo. So
many people lurking. Then eventually they became characters for me, people loved to see the lurkers. I have become the lurker, and my paintings lurk everywhere. I want to do murals around the city, but I have a very distinct style and the cops would be onto me right away.

5.You put your art onto shoes, can you tell us about that?

Yeah, I started doing that at an art festival in Montreal (art in the park). Its nothing new lots of people are doing this but its a hit for me so I will keep doing it till it gets old. Etnies Canada hooks me up with shoes and sometimes they give me extra to paint on, works well for promo for both of us.

6. Where can we get a pair?

My website is the best place, I can be contacted through there. If you can find a pair of Etnies then this is what I prefer. I will paint any shoes though. I like them to be new, no smelly shit. The shoes cost $200 canadian.

7.What’s in store for the future?

I have Vinyl toys coming out, also i just helped start a skateboard company called Kitsch. Ermm….plush lurker toys. Limited tshirt designs and bigger paintings, I’m working on a 6′x 4′ piece right now. Looking to get shows in the states and Japan, maybe Australia? Oh and I’m hanging a show July 10th in Vancouver check my website for details.

mediocre at best

Russ is a friend of mine and we’ll be collaborating on a little something in the near future.

I’d also like to let you know that this is my last post for Whip Up, i’m leaving to concentrate on other things and would like to thank Kath for all the work she puts into Whip Up and for having me on board. Thanks to all the other authors and of course all you readers too.

blik blog

Thursday, June 29th, 2006

blik assistant

Blik now have a blog. I love their products, perfect idea for the renters out there….

For those of you that don’t know what is Blik?

blik surface graphics are oversized, geometric decals that allow anyone to quickly and easily create custom wallscapes in no time. The decals are self- adhesive and removable, so your blank walls have no excuse to be bare.

I’m also loving their Glass Stiks, pictured below.

blik - glass stik

an interview with wee wonderfuls. . .

Thursday, June 15th, 2006

dolly

a short intro

I have to tell you all that I have a craft blog because I, like so many of you all, found myself reading wee wonderfuls and jumping out of my chair. I think every craft blogger has this moment when they “discover” craftblogs and she was my first. Well, not martha was my first, but wee wonderfuls was about 1 second later.

Since then I have had the distinct pleasure to chat with Hillary on a regular basis and can tell you she is, along with being a true craft genius, generous, funny and a big ol’ smart ass. Here’s an interview (of sorts) with this amazing artist, toy maker, designer, quilter, you-name-it, and please see her own wonderful FAQ at Wee Wonderfuls for additional answers to all your burning questions regarding the amazing Hillary Lang. You can also find Ms. Lang getting her hands dirty at her amazing thrifty blog, Thriftcraft.

birdy

ak:Okay, let’s start! here are some short questions. .

favorite superhero growing up and now:
hl: (see below)
favorite color now and growing up:
hl: (see below)
favorite cartoon
hl: I was a kid before cable, didn’t have many choices
favorite cereal:
hl: see below
hl: the questions. did you clear these with my agent? I think my contract says no favorites questions. I lead an unexamined life man, I don’t have favorites. that’s why memes are so hard for me.

ak: wow, that sucked! thanks for your cooperation. How about choosing which of these 2 words fits you better. . .

hl: these either/or questions are much easier!

cake or pie - Pie!
pen or pencil - pencil
flats or heels - heels
pancakes or waffles - waffles
cold weather or really hot - C*O*L*D
salt water or fresh - fresh! as an inlander the ocean kinda freaks me out.
mountains or beach - beach, I’m also a flatlander
beegees or donna summer - although donna always brings back sweet memories of when my grandparents took disco dancing lessons I’m going to have to be true blue beegee
anchor man or dazed and confused - dazed and confused! a lang family favorite.
dresses or skirts - skirts
cash or debit - credit baby
crossword or sudoku - I’m a sudoku convert (although I insist on calling it soduko)
wine or beer - yes please
laser light show or kegger in the park - kegger (see dazed and confused above)

ak: when did you start sewing?
hl: home ec in 7th grade. I rocked a seersucker pleated skirt and thought I was cool enough to take on a stretchy knit 2 tone jogging suit for my sister. I’ve been cursing out my sewing machine ever since.

ak: what did you major in?
hl: art history.

ak: what do you wish now you could study in if you were to do it again?
hl: I want to say art, but I’m still too chickensh**t, even hypothetically, so art history? it’s as useful/useless as anything else I figure.

ak: were you a horse girl?
hl: nope, didn’t get that gene

ak: any crafts you don’t really jive with?
hl: scrapbooking.

bag

ak: how much does the blog motivate you now-and don’t you feel it’s cool to see you motivating the blog world?

hl: The blog hugely motivates me. If it wasn’t for it I’d be out on the porch sipping cocktails with my feet in the kiddie pool. It is all consuming and must be fed constantly. I am, however, extremely thankful for it and its demands. It keeps me out of all sorts of trouble: micro-parenting, obsessive cleaning, staying fit, being eaten alive by suburban materialism, a second kid. (btw, feel free to insert a ‘just kidding’ or winky smile after every smartass thing I say) If I do motivate people that’s awesome! If it’s in a good, positive, I-forgot-how-much-I-love-crafting sort of way. I never ever want to motivate people in a “come on, why aren’t you sewing your kids’ clothes, I am” sort of way.

ak: you are so generous with your gifts and making things for people (like me) do you feel you “have” to sell things-like having the $$ is great and needed obviously-but do you think it adds legitimacy to what you do? do you wish you didn’t have to sell? if you won the lottery, would you still sell stuff? I ask only because it seems so freeing to make things as gifts just thinking about the recipient, and not worrying “is this worth X amount”or will someone feel like it’s worth what they paid for it.

hl: what do you mean if I win, when I win I will definitely still sell things. I love to do both. Making gifts is so much fun because you’re trying to imagine the project in the recipient’s world, what do they really like, what do they have too much of (like chickens), what kind of thing is really going to scratch the itch for them. Making stuff to sell is really for me. I can make up whatever flies into my head and if it sells, awesome - validated! I’m not alone. If it doesn’t, I slink away into a world of self doubt. How could I give that up?

quilt

ak: how much do other people’s opinion affect your work in process. like when you are making something-do you prefer to get feedback the whole time, or do you just got for it and then ask when you are done? i am thinking about tim here and how much he is involved in your process. I see him as a silent wee wonderful participant-but he’s in the club right? member #2? Right ahead of Oscar?

hl: Of course Tim is involved! He’s co-president of Team Timillary. Did I actually just write that. oh well. All the nerdy details right? Tim always gives me his input. His eye for color and design is amazing. Sometimes I go to him in the beginning of a project with 2 fabrics, this or that. Sometimes I wait til the very end and then nervously hand over whatever it is I’ve been working on and hope for a good reaction. I guess I do the latter more because I like to surprise him. I sneak up behind his computer monitor and peek a big fat sheep over the top and hope for a “cool!” I think the best response I ever got from him was for the little felt butterfly.

ak: How do you see craft blogs changing now. “back in my day. . . ” but seriously, it seems different now than it did even a year ago when I started-is it??is it the photos? etsy?

hl: This is a little bit of a tricky question because I started my weblog about five minutes after discovering them. So I don’t really have much of a handle on the whole history of the craft blog before I jumped in but I have definitely seen so many changes since I began. It was so indie and laid back when I started and now it seems, well, glossy. I think it’s the photos for sure. The quality of photographs has gone through the roof. I had to persuade Tim (not hard) that we needed a fat new camera to catch up and it is so much easier to whiz through the photo taking part if you have the savings-killing camera. Now I just need to figure out that whole fuzzy focus thing.
The whole craftblog world just seems so much more professional and slick these days. Maybe it’s the huge popularity of crafting in general and all the magazines and publishers trying to get in on the action or it’s people realizing what an amazing marketing tool a blog is or it’s just an organic process. Whatever it is, I don’t want to naysay the bar raising. It’s a good thing right. What do I know. I’ve always got my head in the sand. Whenever I feel too overwhelmed by the whole thing I just stick my head down into my work and try to plow through. And there’s also my perception of it all changing as my goals change. At first it was make stuff for fun (laid back) now I’m trying to figure out if I can make a living of it (more challenging).

ak: what was your first craft blog and how did you find out about them?

hl: Loobylu baby! I found Trixie Update because Tim was vexed that Ben beat him to his baby habit tracking idea and then that lead me to Suburban Bliss and then over to Loobylu. I felt like I was hit by a ton of bricks. Never has something seemed like such an amazing fit for me.. semi-anonymously post stuff you’ve made out on the web and hopefully make a bunch of like minded friends. Brilliant! Thank you internet. I owe you. I forgive you for all the porn. sort of.

ak: you keep saying you can’t draw-how come you are such a liar?

hl: dude! I’m just drawing dolls. It’s sort of like making patterns. Have you ever seen that little thing called the 3rd dimension in my drawings? I am a 2D fraud. And I also cheat.. “Timmmm, why does she look all wrong?!” “Well maybe because her arm is twice as long as her entire body” erase. erase. voila!

ak: Thanks Hillary! Keep being awesome!

little meshells corner of the world

Friday, May 19th, 2006

…is in Perth, Australia and it sure is a lovely world she lives in. I am really glad that she has begun to share her art related work with her readers. She recently posted her artist statement and some examples of her work.

I am exploring the worlds of pattern/textiles and home or comfort zone in conjunction with the worlds of medicine and science. I find the paradox between these two areas very interesting, as one is soft, furnished, cluttered and welcoming, and the other cold, clean, sterile and white.I do like to work with opposites and I am very interested in the fact that by isolating and examining these textiles in a scientific manner, not only am I highlighting the virus-like effects of nostalgia, I am also suspending these traditional textile processes in time. read the rest here

Michael Cook

Tuesday, May 16th, 2006

Michael Cook - Wormspit.com

Michael grew up in Houston, Texas and now lives in Dallas. He has two dogs and two cats and at any given time up to two thousand caterpillars! You see he raises silkworms and reels silk from their cocoons.

As a child he learned to sew and crochet from one grandmother, to draw and paint from the other.

“I taught myself to knit. My mom’s mother made a valiant effort when I was a child, and I managed to pick up sewing, crochet, and embroidery, but my hands just wouldn’t do the motions required for knitting. I was probably six or seven or eight; I remember trying it a couple of different summer vacations. Years later, having learned to weave and spin, I decided I wanted to figure out knitting, and I picked up a book and slogged my way through, English style. I did a scarf and some swatches, then put it away. After a reallymagical trip to Peru, where *everyone* knits, crochets, weaves, and spins, I was inspired to pick it back up again, and figured out Continental knitting with the help of knittinghelp.com (then valleycafe.com) and lots of practice.”

When asked about his most significant project so far, Michaels replies:

“For me, it has been a little amulet bag that I am working on, made from hand-spun wild Polyphemus silk. These moths live across most of North America, eating oak and beech and birch trees, and they spin a tussah-like silk that spins into a golden-beige sparkly yarn. I’m not done with the pouch yet, but the thing that’s special about it to me, is the completeness of the process - raising the moths from eggs, degumming and carding out the silk, spinning it, knitting it on 000’s.”

Michael has page after page of tutorials on the entire silk process from reeling to dyeing on his webpage (link below). Also be sure to read his article published over at Knitty about silkworms. More recently Michael was seen dancing in a Willie Nelson video; find a link to the video on his blog. He will also be featured on HGTV’s show “That’s Clever” this fall/winter (date to be announced).

Michael’s Website
Michael’s Blog
Knitty article written by Michael

ana voog’s fab freestyle crochet hats

Friday, May 12th, 2006

ana voog ana voog ana voog ana voog
Fantastic freestyle crochet check out ana voog hats

In the Knit: An Interview with Jess Hutch

Monday, May 1st, 2006

birdbuzz3.jpg
Jess Hutchison, a.k.a. Jess Hutch, is a craft phenom and all around wonderful human being living and working in San Francisco. She’s become somewhat famous in the craft world recently for her knitted toys, most notably the bears and robots she designs and makes. Last year she wrote, designed, and published her own pattern book, which was an overwhelming success. I caught up with Jess this morning and asked her some questions I had about her life in the knit.

Lisa: So Jess, you obviously have some drawing skills and an artistic flair. What is your background in the arts?

Jess: I don’t have one! I took an arts & crafts class in 9th grade, but other than that I have no formal arts education. I’ve always had an interest in drawing, painting, and making things, since I was very young, but it wasn’t until about seven or eight years ago that I realized how important it was for me to do creative things on a daily basis. Of course, by that point I already had a degree in history! So I just started drawing more, and making things, sort of making it up as I went along (well, I also consulted how-to books!). At this point I wonder what it would be like to go to art school, or even just take classes… I guess it’s a possibility.

jesshutchrobot2.jpg

Lisa: Cool, my degree is in history too. I wonder what that means. Probably nothing. Anyhow, when did you start knitting? Who taught you?

Jess: I first learned about six years ago. My mom taught my sister and me. I actually didn’t enjoy it much, and I put my first (unfinished) project aside and forgot about it. Then a couple years ago, when I was taking a break after leaving a very stressful job, my sister Kate taught me again, and this time it stuck. I spent the rest of my time without a job knitting and knitting and knitting.

Lisa: Interesting. Now, lots of us fellow crafters out there don’t knit, either because we haven’t tried or there is something about it that doesn’t suit us. Describe for all the non-knitters out there the appeal of knitting for you. What do you love about it? What does it do for you?

Jess: I don’t get the same kind of inner peace from knitting as I do from, say, drawing, or embroidery. Knitting for me is more like a challenge, like a series of hurdles - it sometimes confounds and confuses me and keeps me guessing. I love that about it. I don’t knit garments, typically. 99% of the knitting I do is of my own toy designs, so I’m constantly ripping stuff back, taking notes, etc. I am basically knitting the fabric to fit the shape I’m going after, which usually involves several hours of crunching numbers, figuring how to distribute the increases and decreases to achieve that shape. I love how I’m able to create a toy or figure just from yarn and some needles, and I love how the resulting fabric, too, is so flexible. It works well for toys.

jesshutchgeorge-1.jpg

Lisa: I am fascinated by the notion that brilliant art and craft were at one moment in time just some unspoken part of someone’s imagination. Describe the moment in time that the idea to knit animals and robots came into your head. What lead up to it? How did it all happen?

Jess: I have been making toys for quite a while, since I was a little kid, really, but I was never totally satisfied with the results. After I had knit a couple sweaters, I decided that I should find a book of toy patterns. I found a few, but none had that strange quality I like in toys. I liked Kath Dalmeny’s World of Knitted Toys, which helped me figure out how to stack increases and decreases on top of each other to create shapes. It worked out fairly well, so I tried all sorts of shapes. I tried increasing very rapidly from one row to the next to see if the extreme shaping would hold its shape, and it did. I also had used intarsia on one of my sweaters, so I tried to see if I could use it on a toy. I sketched out a robot on a knitting graph, and tried knitting him up. It all took many, many hours of trial and error, but I was so challenged by it that it was a real pleasure!

Lisa: I love people who find pleasure in a challenge! Now, many people find joy in knitting, but not everybody has the patience or technical skill to write a pattern book. What was that experience like for you? Did you enjoy it?

Jess: There were aspects of it that I loved. I loved coming up with the designs, figuring out how to translate them into actual toys, and taking the photographs. And I loved seeing a finished printed product. It was also so meaningful to me that people liked the results. As I mentioned before, I have no arts training, so this was my first creative success! And that was important. But I found it very difficult and time-consuming to deal with some of the more practical, business aspects of the project. I learned that I find it much more enjoyable to focus on creating, and learning. I’m still trying to figure out what “fits” for me creatively. Some things have worked well, others haven’t. It’s an ongoing process.

Lisa: And that it is. Hey, one more thing. Your last name is Hutchison. Why the shortened version of your last name?

Jess: I have a long name: Jessica Dalton Hutchison. Although I’m very proud that every vowel is represented there, when I was putting my website and blog together I felt that something shorter and sweeter would be more fun. Most of my friends call me Jess, and Hutch is the traditional nickname for folks (typically guys) with the last name Hutchison or Hutchinson. So, Jess Hutch. Kicky.

Lisa: Yes, it is “kicky” isn’t it? Thanks for talking to me!! See you around town.

Behind the Bolts with Cia Blum of Cia’s Palette

Saturday, April 22nd, 2006

Cia's Palette LogoIf you’re a fabric aficionado/addict, you probably have your dream fabric shop all planned out in your mind. But what is the life of a fabric store owner really like? Cia Blum has been running the popular online shop Cia’s Palette with her husband Mark for four years now. Cia’s Palette is a favorite among quilt/craft bloggers because of her focused selection of modern and reproduction cotton prints, Cia’s indie business spirit, and of course her wonderful customer service. She took the time to answer my questions during a rather busy time — tax season, filling a gazillion orders for Denyse Schmidt’s new line, and moving into a brick-and-mortar storefront for the first time …

Whip up: How did you come to sell fabric online?

Cia Blum: My name is Cia, and I am a fabriholic. *:o)

I blame it on my mother, mostly. My mom is one of those people who can make anything at all without a pattern, in no time at all, and have fun doing it. When I was little, she made most of my clothes and we were always making little toys and fun things together. She would take me shopping for fabric and point out which were the really fabulous ones, and even though she says I was mostly bored with the whole thing it’s obvious that a lot of it really sank in because now I am totally in love with fabric. Obsessed even. A couple of weeks ago, for instance, Mark (my husband and business partner) and I went to visit friends in Winona, which is a town in southern Minnesota, and we spent an entire day raiding tiny little fabric shops out in the country, looking for “finds”. Even on my days off I’m looking for fabric. It’s sort of sick, really. Luckily, Mark is now interested (and surprisingly knowledgable) so it’s not a pain to have him along like it used to be. We used to live in Portland and I loved to go to the Daisy Kingdom (now closed, sob). In those days, he would have been one of the many husbands you’d see sleeping in a car out in front of the store. I suspect now he might actually come in (sort of a scary thought for some reason). He’s constantly cracking me up by knowing *anything* at all about fabric. I don’t know why, but I find it hilarious that he knows about fat quarters and toiles and can pick out an Amy Butler print in a fabric shop. Are guys supposed to know these things?

WU: What’s your personal stash like?

CB: Way too huge. I tend to focus on vintage stuff and nice repros. And I love Japanese prints.

WU: Are you a quilter yourself? If so, what kind of quilting do you do? What was your evolution as a quilter? What are your influences? What kinds of quilts do you admire most?

CB: Yes, I love to quilt! I really prefer hand piecing but I also have a Singer Featherweight that can stitch really really slowly, which I find very pleasing for some reason. (I think I must be a throwback to some pre-industrial age.) When I was first learning to make quilts, I completely immersed myself in the huge variety of patterns you can make using just squares and triangles. That eventually led me to a fascination with quilts from the 16th through 19th centuries — especially since I was starting to see so many amazing reproduction fabrics on the market around that time. Now I’m just into any quilt or fabric piece that’s artistic and well-executed — especially the quirky ones. If someone’s doing something unusual or slightly eccentric, chances are I will adore it. I love Chris Roberts-Antieau, the Lubbesmeyer twins, Nancy Crow, Denyse Schmidt, Jane Sassaman, Gwen Marston, Cheri Saffiote-Payne, B. Michele Maynard — there are so many. I’m always looking.

WU: What did you do before Cia’s Palette?
CB: Oh, a little of everything. I’ve done the standard restaurant thing, worked in a toy store, played drums in an indie rock band, worked in another fabric shop (which shall remain nameless). I was even a cabinetmaker’s apprentice for awhile when we lived in New York. Mostly just regular job jobs. Whatever it took to pay the rent (and feed my fabric addiction).

WU: Do you run Cia’s Palette full-time?
CB: More than. It’s one of those jobs where you take an hour or two off at a time. We’re often up until 2 or 3AM, answering emails and generally taking care of business. I’d love to get away for a week or two, but it hasn’t happened since we started the business and I don’t see it happening any time soon. Owning a business requires a time investment that I could not possibly have imagined before we started doing this.

WU: Is it just you, or do you have staff?

CB: I guess we have sort of a temp staff. Mark and I try to handle as much of it as we possibly can and get people we know to help out when we’re swamped. It’s looking more and more these days like we might need to hire someone full time, though. After four years of doing this, we’re hitting that point where we’re just too busy to handle it on our own some days. I guess that’s a good thing, right?

WU: Do you work from home or do you have a shop?

CB: Funny you ask–we just signed a lease on a storefront last week. Before that we were sort of half and half: We did part of the business from a home office but the fabric has always been in a warehouse. We tried doing it all from an office when we first started, but we only had a couple of computers at that point and we quickly realized that going to the office every time we needed to use a computer was not working out too well. Soon it will all be from our brand-new location in south Minneapolis where, for the first time since we started this business, we’ll be open to the public. I’m very excited about that because it means I’ll finally get to actually meet some of our customers. We officially move in on May 1. It’ll probably take a few weeks to get the place ready before we open.

Cia's Palette - Example Page WU: How would you characterize Cia’s Palette?
CB: Not too big. Hopefully easy to shop. Geared toward people who are looking for something out of the ordinary. The kind of fabric store I’d want to shop in if I didn’t already own the place.

WU: What are the biggest challenges and biggest rewards of being a fabric merchant?

CB: For the last couple of weeks, the biggest challenge has been filling all the orders for the Denyse Schmidt collection! It’s been really, really crazy around here ever since we put her stuff up on the website. Other than that, I’d have to say learning to run an e-business on the fly has been both very challenging and extremely rewarding. It’s been a real learn-as-you-go process. Mark and I have both worked in retail, but doing an online business is so different. For one thing, you never really get to meet your customers. That can be a little frustrating. It’s very odd knowing that many of my relationships these days are email-only, and that I’m good friends with a lot of people I’ve never actually met. On the other hand, I’ve formed relationships with people all over the planet–people I never would have met in the first place if it weren’t for the Internet–and that’s pretty incredible. And I’d have to say it’s one of the biggest rewards. Our customers are the greatest people. I feel so honored to be included in their lives and their projects. People send me photos of the things they’re working on, stories about their families and the people they’re making things for. When I’m cutting fabric, it’s fun sometimes to think about what the fabric might be used for. It may end up in a kid’s favorite blankie or some work of fabric art or a beautiful quilt that will be in someone’s family for generations. No matter what it is, I know it’s going to be a special part of someone’s life. And when a customer sends me a photo or a story, I get to share in that in some small way, and I love it. I know it’s silly, but I still get an enormous kick out of seeing a photo of something someone made from fabric they bought in our shop and being able to say, “Hey! I know that piece of fabric!”

The other great reward is seeing this business actually work. I’ve never done anything like this before and it was a total unknown for both Mark and I. We started with very little money, no experience in running a business, and no real reason to think we could actually pull it off. If we had been a little smarter, or we’d known in advance what was involved, I seriously don’t know if we would have attempted it. For one thing, neither of us knew much about computers. We didn’t even own a computer until about five or six years ago. Neither of us had really ever even used one. So it makes perfect sense, then, to start an online business, right? :) Our life has been completely changed by computers and by the Internet. And to be able to do this is just extraordinary. The first couple of years were so scary. We were right on the edge of poverty much of the time. The day I quit my regular job, I felt like I had just jumped off a cliff. You’d think it would have been one of my greatest days, but I seriously thought I was going to have an ulcer. But it worked and it’s working and I love it. It’s been the scariest, most difficult, most expensive and most time-consuming thing I’ve ever done in my life, and I’d do it again in a second. And I am proud as heck to be able to call myself an entrepreneur. Some days, Mark and I look at each other and go, “Hey! This is a real business!” It’s been a great experience.

WU: What are current trends in cotton prints? How have the trends evolved since you’ve been in the business?

CB: When I first started working in this business, Kaffe Fassett had just introduced his first fabric line. Most everyone I worked with thought it was an amazing collection, but it really didn’t sell very quickly for the first year or so — at least in our shop. Thank goodness Rowan knew enough to stick with it and make it available for several years (very unusual in this business) or a lot of people would have completely missed out. The quilting craze has really caught on with a younger group since that time and the fabric industry is changing to reflect that influence, but slowly. Amy Butler was truly a breath of fresh air and now I think Denyse Schmidt is also having a profound effect by providing what a lot of quilters and crafters have been looking for. The big Spring fabric show [in Minneapolis, MN] is just around the corner and I can’t wait to see what’s new from all of my favorite designers. It seems like the Shabby Chic thing is fading and we’re moving on to more interesting prints in unexpected new color palettes (hooray!). More and more lines are being designed by recognizable artists with a real flair for color and graphics. The trend toward not-so-solid solids, pioneered by Ginny Beyer and Patrick Lose, continues with lots more amazing (and highly usable) tonal prints (so much so that actual solids are starting to seem almost exotic!). And we continue to be totally spoiled by the sheer range of prints available in every style imaginable. When you think of the few icky little calicoes they had to work with in the ’70s, it’s a wonder quilting ever became so huge!

WU: You say on your “about” page that you only sell fabric that you love, and that you’re not trying to be all things to all quilters — will you talk more about that? Why not expand?

CB: We’re expanding all the time, but our “About” page sort of states my mission statement, which is to stay focused on the fabric and try not to get too diverted by the fact that it’s a business. I got into this because of my love of fabric and because I was inspired by a few great online shops that I thought were exactly what an online shop should be. There’s a tendency in this business to try to stock everything in the world, and of course some shops do that. But when I first started shopping online, I found most of the huge online megastore places weren’t all that convenient to shop. Shopping online isn’t like walking into a fabric store, where you can sort of take it all in at once. Online, if a shop has 20,000 fabrics, it quickly turns into information overload. I don’t find it fun to browse at that point–it just becomes a chore. Especially when most of it is stuff I would never want to buy in the first place. I’d much rather find a smaller shop that has a smaller, more focused inventory and is more dependably in tune with my tastes. I like it when a store has a personality–not merely a huge selection. I want our site to be fun to shop. That’s very important to me. So the idea was to skip the stuff that either I knew everyone in the world would be carrying, or stuff that I thought was just plain boring or ugly. I try to concentrate on things that are useful and special and perhaps a bit out of the mainstream. Of course we’ll expand and evolve like any other business, but I’m sure we’ll always be smaller (and hopefully a bit more focused) than the “big guys.”

design*sponge podcast

Tuesday, April 18th, 2006

design*sponge podcast blog

Check out the fairly new podcast from Grace at design*sponge. Grace’s blog is an excellent resource for daily design eyecandy (try saying that fast!) and now she’s interviewing some great creators. First up was Lotta (if I have to put her last name, you’re in trouble, where you been? under a mushroom ;) ) and now there’s Amy Ruppel. Sound quality for Lotta’s interview is not quite there, the Amy interview is improved. Saying that Grace is an engaging interviewer and it’s worth hanging in there to see who else she’ll interview in the future.

Quilt Horizon - Dave Daniels

Friday, April 14th, 2006

Krazy Kats by Dave Daniels

I recently explored the website Quilt Horizon by artist Dave Daniels. He’s an amazing example of one person having So. Much. Talent. Here is how he describes his approach to quilting:

For many, many years I have worked on lots of crafts. There are endless pleasures from being able to work with my hands. Be it designing and building furniture, planning a garden, or decorating an interior, there is very little more satisfying than to sit down and make a quilt. What a pleasure it is to express myself in ways that are beyond words.

I like being a craftsman, and enjoy learning crafts. There is an ancestry to them. A tradition. A sense of community. Who was the first person to gather their scraps and make a quilt? What was in the mind of the first person to gather some herbs and make tea? These are the topics I wonder about. These are the things in life that are meant to be shared and carried onward.

Provincetown Atumn by Dave Daniels

When asked about his mission?

I would like to be able to inspire others, as I myself have been inspired. To encourage people to try something new. It is only through learning that we can continue to grow. I am putting myself out there in the hopes of helping and being helped by others.

If you have a talent or know a craft, share it with someone. Show a child what you have learned. Let them carry along these skills and your memory. I have lost many people in my lifetime. What I have found that brings them back to me is what I have learned from them. I can be making a particular recipe, and I remember the person that showed me how to do it. Every time, and they are right there showing me again. It sticks to my soul in ways that I never would have thought about when I was younger. The skills I have were inspired along my way through life, and I am grateful for having them. Please, share what you know, and learn what you want.

Why Is The Sky Blue? by Dave Daniels
Grape Godess by Dave Daniels

Find out more about Dave and see examples of his work by checking out Quilt Horizon and/or visiting his blog at Dave’s Cabin Cove where you’ll see his dyeing, knitting and of course Lulu Kitty!

fav blog posts - a bit of this and that

Friday, March 31st, 2006

knitted cushion Krawaggul - beautiful stripey and polkadotty knitted cushion.

Turkey feathers - the crafting never stops - bags this time - wonderful details.

doll stories
Doll stories
is a wonderful newish blog from Israel, Neta makes dolls and dogs and gives them all unique personalities. Just loving seeing what she is doing.

while she naps - a less cowardly lion is wonderful. A quote from her site about her thoughts behind this lion “I have been thinking a lot about making primitive dolls. Dolls/animals that use natural materials and that are assembled in an obvious way. I love the look of exposed seams, of visible hand-stitching, of parts of the toy being tied together, even, instead of sewn.”

button bracelet Needle book - love the retro feel of this button bracelet.

blog backup public service announcement

Tuesday, March 21st, 2006

My sister, one of the reasons I’m a blogger today, used to keep her site on Diary-X. That is, until a few weeks ago when Diary-X had a catastrophic hard drive failure and went kaput. They had never backed anything up. My sister lost 3 years of entries. It’s all too horrible.

So the moral is, go run a backup. You never know what might happen.

Lauren Shanley

Monday, March 20th, 2006

I’m loving these
Lauren Shanley
Stitched vessels, collaged cotton, silk, brocade, wool and organza strips with machine stitching and fabric glue on inside.
Check out more of Lauren’s recycled textiles here.
I’ve touched her textiles with my own fair hands, and they’re as soft and sumptuous as they are beautiful.
While Googling Lauren, I also found this wonderful jewellery by Amanda Caines.

fav blog posts - spinning and dyeing

Wednesday, March 8th, 2006

cochineal dyed sweet georgia - dyes up some wool using chochineal bugs - again beautiful images and instructions.

january one - is spinning some gorgeous colours

fiber mania pots of color fibermania - does some dyeing - ‘the easy way’ - whether easy or not - i love the pots of colours.

click clack - a german knitting blog - gives us a some great colours of wool in small quantities
spinning silk hankies at knitty - zibbibbo is good tried it out with fab results - make sure you click on the picture.

The Crochet Dude

Wednesday, March 8th, 2006

If you’re a crocheter and a blogger you’re probably familiar with Drew, or as he is known far and wide, The Crochet Dude. If you don’t know Drew then you have definitely been missing out. This is a man who is not only immensely talented, but he’s fabulously funny, a brilliant designer, amazingly kind and compassionate, devoting his time and talent to myriad charitable efforts while running his “Dudepire”. Drew has also been one the loudest and most fervent supporters of my creations and my blog since its humble inception and that is pretty darn cool. All truth be told, the blogosphere is a much richer place by virtue of Drew’s presence here and basically, we all could use a little Daily Drew in our lives.

Okay, so I like the guy a little…

And hopefully, after reading the interview below, you will like him too!

Regina: Tell me about your crochet and knit origins.

Drew: I learned to crochet when I was five years old. We had just moved to Lake Tahoe and the winter was particularly heavy that year with drifts over the roof of the house. So I was inside a lot, and most likely surfing on Mom’s last nerve, and before I knew it she had given me a hook and some yarn and I was crocheting. I had been watching her crochet all my life so I knew there was more to it than making a chain snake! It seemed very intuitive and reading patterns became quite easy, even though I was so young. The following winter Mom wanted to make an afghan with swirl shaped motifs and couldn’t figure out the pattern. I’m not sure if she was happy or not that I read the pattern, explained it to her, and then whipped up an example that turned out the first time. Six year olds can be frustrating I’m sure!

Knitting was always an elusive sport. I saw my sister go to town with her aluminum knitting needles and wool (I still hear that clickity-click sound sometimes late at night when it’s dark, cold, and I’m half asleep). Anywho, she whipped up sweaters that me and my brothers could actually wear to school!
It was like magic to me! I still have the gold & avocado green ski sweater that she made for my big brother and wear it every time it gets cold here in Houston.

Last year I decided that knitting couldn’t be so hard since practically everyone I knew was knitting up those furry skinny scarves. I didn’t really have a hankering for a furry skinny scarf, since, well, I’m a dude and all, but I did want to be able to knit nonetheless. I taught myself to knit by looking at various websites and beginner knitting books that promised “there’s nothing to it”, and “look you’re already knitting” and “you can knit entire garments in garter stitch”. This led to my being selected to knit for the
book “Men Who Knit and the Dogs Who Love Them”, which after a few weeks I was then invited to co-author with Annie Modesitt. The book is coming out fall 2006.

Regina: I’m interested to learn how you got involved in the business of crochet and why.

Drew: I had always heard people on Oprah saying “Do what you love and the money will follow” and I love to eat, but that hadn’t turned into a career yet. I had been doing a lot of charity work, crocheting afghan squares for a comfortghan group called Heartmade Blessings, and the other square makers were continually looking for new patterns. I did a little designing and gave the squares patterns to the group and was very happy with the feedback that I received. It was such a great training period for me since nothing was on the line, and the people making the squares were very supportive. Through my charity work I was able to work out the process of writing patterns so that they were clear
and easy to follow.

A series of ironically mundane events has led me to designing for yarn companies. It’s exciting to get a box of yarn in the mail with a design idea scribbled on a sheet of paper and a deadline that seems impossible. I love that rush of looking at the yarn, visualizing the final item and then crocheting like a madman to get it done in time, working out the kinks as I go. I love it!

I decided to self-publish my first patterns with Lulu.com to become familiar with the process. Now when someone wants one of my patterns they can go online and download it, or order it in print, and I’m pretty much free to work on my next designs. It’s such a great relationship to have with the people that like my designs. I have several more pattern booklets that I’m developing right now and should be released within the next few months.

Regina: What do you enjoy about the design process?

Drew: The best part of designing for me is imagining the possibilities of crochet. Where can it go next? Has it been there before? How can I learn from the incredible fiber artists of my generation and take that knowledge into unfamiliar territory? Crochet and knit themselves are incredible opportunities for creativity and artistic expression.

Regina: What is your favorite item to design and why?

Drew: At the beginning of my career my main focus was on developing afghan squares, first for charity, then for the 2006 Crochet Pattern-a-day Calendar for Accord Publishing. They asked for 28 new patterns (plus a joining method) and they needed it yesterday. It was all I thought about for weeks and weeks. The editor of the calendar emailed me and said, “you really should get into garment design, you’d be very good”. I was amazed that she saw that in me, and I didn’t hesitate to shift my thoughts immediately to how I could represent crochet in the garment design arena and still push the boundaries of where crochet had gone before.

Dude Stats:

Drew Emborsky, aka The Crochet Dude, studied fine art at Kendall College of Art & Design in Grand Rapids, Michigan. He is a national member of the Crochet Guild of America where he received a Masters in Crochet certificate. His publications can be found here and many of his designs are included in the 2006 Crochet Pattern-A-Day. Watch for his new book “Men Who Knit and the Dogs Who Love Them” to be released by Lark Books in the Fall 2006. Drew resides in Houston, Texas with his two cats Chandler & Cleocatra.

Related Links:

Blog:
Site:
Publications:
Gear:
Heartmade Blessings:
Annie Modesitt:
Accord Publishing:
Lark Books:
Crochet Guild of America:

blogland - recent fave posts

Sunday, February 26th, 2006

I love Rosa’s new brown monkey - super adorable. Isn’t this photo fantastic!

while she naps made these adorable scrappy owls with matching cards.

icy suncatchers that iris made. Of course you need freezing temperatures outside for these to work - but what a fun idea.

Heather (our new author - soon to be writing for us - check out her profile in the sidebar) from Making time - has an excellent round up of japanese miniature bears. I loved the link for totona mei - and this picture is from there.

updates:
last time I posted about twelve22’s teacup cozies, now she has a new design for tall glasses - I love it.
And my little mochi is at it again - this time with a kokeshi doll pin - 2 inches high.
patterns:
Don’t you just love wee wonderfuls paper dolls - go and download them now.
love the tutorial that pinned has posted on making a patchwork table runner, more about it here too.
people:
I am really enjoying kraf-o-la and her amazing people interviews.