Amanda Soule, author of the recently published book The Creative Family: How to Encourage Imagination and Nurture Family Connections and of the blog soulemama, has kindly answered a few burning questions about her book, her blog and parenting. [and read on for a chance to win a copy kindly donated by shambhala press]

The Creative Family: How to Encourage Imagination and Nurture Family Connections by Amanda Blake Soule, published by Trumpeter (April 1, 2008)

Amanda’s new book is a little about craft and a lot about parenting - this book has made me excited to be a parent again.

Amanda: Oh gosh, that’s just about the best kind of ‘review’ words I could ask for! I do know that it is so easy to get dragged down by the mundane of our days sometimes. Surely it was my hope that this book could be one of those little reminders for us (yes, me too) of how amazing this time with our families can be. So, thank you!

Kath: Amanda you have just finished book no. 2 how exciting - can you tell me what this one is about - is it a follow on or completely different? there is so much more you could have included in this book - so I am really interested to see where you go next.

Amanda: I think readers will find it to be a natural second book, though it is quite different from the first. It’s definitely more of a ‘craft’ book than The Creative Family, which is really a parenting book. The second book is full of craft projects for the family home, all with a focus on re-purposing. There’s some ‘lifestyle’ writing in there, as well as lots and lots of photography. I’m still in the process of working on that book, so it will be released in 2009.

Kath: Your blog has an enormous following these days - congratulations - there is obviously a lot of people out there attracted to your lifestyle choices and really interested in knowing more, and your writing style is so friendly and personal it really does get people interested. Do you find it overwhelming having so many readers commenting on your daily everyday life - on the state of your curtains and your children’s gorgeous creativity? your blog has come a long way since the early days when you started it as a homeschooling (unschooling) document? is that why you started it? and has it ever been a chore to keep it going? I know that you have said it has been an invaluable tool in honing your writing skills - do you ever feel it gets in the way of family life and creativity?

Amanda: Oh, thank you! Yes, it has grown quite a bit. I did start it to keep in touch with people, to record our days, and to have a ‘reason’ to write. It continues to be all of those things, and of course, many more now. In general, the number of readers doesn’t overwhelm me – I’m quite honored that so many people spend a few minutes of their day reading it. I don’t really pay attention to the stats much – none of that has ever had much importance in blogging for me.

Blogging fits rather nicely into my day – the time that it takes has found a place in my day that works – often at night when my babes are sleeping. Sometimes, though, I’ll start a few posts in one sitting, so it’s not even everyday that I’m doing the actual writing. When it begins to feel like a chore or I feel uninspired, then I know it’s time to do something different – a photo project, different kinds of posts, a guest blog, etc.

For me the challenges to blogging are a small few: Negative feedback never feels good, though it has become easier to let go of with time and frequency. And the biggest challenge I feel is wanting to have more time to respond to the lovely emails and comments I get each day. Truly – those words from readers are so meaningful to me, and I always wish I had more time to say ‘thank you’ individually.

Kath: Lets talk about the book. I love that it is really your voice that comes through loud and clear - good honest practical advice. Not preachy or overly sweet - just everyday stuff - you discuss a little about your days being filled with your children’s creativity - can you tell us a little how you structure your days - you homeschool the children - unschooling is that right? do you have a daily structure that you follow or does the day does take its own form?

Amanda: Our days don’t really have a ‘schedule’ per se, but I definitely feel a rhythm to them. I feel my role as ‘guiding’ that rhythm along – with a lot of paying attention along the way to feel out what’s working and what’s not working for us individually as a family at home. Every day starts out with each of us talking about what it is that we want to do most that day, and our day weaves around working together to make that happen. Today, for example, Calvin really wanted to build a new ramp for his bike, Ezra wanted to do a Sound of Music performance, Adelaide said she wanted to paint outside, and I said I really needed to wash all the windows (I know, sometimes it’s not always something very thrilling!). So those four things were our ‘focus’ for the day, with some of the everyday things woven around those – baking, cleaning, reading, writing, drawing, etc. “What” we do changes a lot with the season, and whatever outside activities we may have going on.

Kath: I really love how you talk about ’slowing down’ and observing and nurturing and how it is the process rather than the end result that is important. Can you talk a little about how you have come to this … is the way you are raising your children a lot different than how you were raised? and what led you to your current parenting philosophy?

Amanda: I was raised in a fairly traditional home environment, but I think I always had different ideas about how I wanted to do things. Even before having children, I read lots of books on education and child development – it just really interested me as I was forming ideas about what I wanted for my children. That continued as my children were born – lots of reading and lots of talking to other parents. I took bits and pieces of what I liked from many different philosophies…and then just followed my gut, I suppose, about what felt to be the right thing for my family – and now, for each child individually. It feels a bit like a combination of knowledge and intuition – I’m sure many parents identify with that – both are important in parenting.

Kath: I am really interested in how this book is a little bit about parenting and a little about creativity but mostly it is about how it all comes together - and how much we learn from our children - what are the main lessons do you think you have learnt from your children?

Amanda: Oh, gosh. A lot! Rachael Carson said, “One way to open your eyes is to ask yourself, ‘What if I had never seen this before? What if I knew I would never see it again?” And that – children’s ‘seeing’ of the entire world for the first time is such a lesson for me in looking at things differently.

Kath: There are few projects in the book - not as many as i expected - but i wasn’t disappointed at all - there is so much else in this book and in a way i am glad it is not just another ‘craft’ book but a book about living. can you tell me how you chose the projects you did and which ones you were sad to have left out?

Amanda: One of the first things I said about this book when talking with my editor at Shambhala (who agreed wholeheartedly) was that I really didn’t want it to be ‘another kids craft book’ – there are so many wonderful resources already out there for that. I really wanted to focus on the why and how of creating with children, with some practical applications of that sprinkled throughout.

Craft projects won’t ‘work’, be successful, or even fun for parent and child if they aren’t done in a relaxed way that is supportive of children’s creativity. So, yes, the book does include more about that end of it all.

There were only a few projects that didn’t make it into the final book, and the only ones I was sad about were the pregnancy/birth related crafting projects. Looking at the book in it’s entirety, I don’t think they fit very well after all, but I do think I’ll find the right space for them sometime.

Kath: I love how you say ‘don’t be afraid of mess’ and to just ‘be in the moment’ it is so true that many creative ideas get stifled because we are afraid of the aftermath - can you tell me who cleans up in your house? you don’t talk about discipline in this book - which in a parenting book is very unusual - with your life style and slow pace there is no need to rush and hurry everywhere - which is usually the cause of conflict (in our house anyway) can you tell me what your discipline methods or style are - or aren’t?

Amanda: We all do a bit of the picking up. Of course, the older the children are, the more they’re able to do. Meaning, of course, that those over the age of 30, do a LOT of it. While I may not address ‘discipline’ head-on in this book, I do think our parenting approach comes through. I’m not sure that I’d ever really want to write a discipline book. The way we handle conflict is always evolving – I’ve read a lot of parenting books, I talk about parenting with many friends, and we talk about what we’re doing as a family too. As the children grow and as new challenges come up, the specific ways in which we handle things change – taking the best of what we like from the ‘advice’ out there, and listening to our hearts for most of it. My favorite parenting book is Everyday Blessings: The Inner Work of Mindful Parenting by Jon and Myla Kabat-Zinn. In times of need, I find a lot of comfort in their words.

Kath: How do your children feel about this book and being part of your creative project?

Amanda: It was really such a family effort to get this book (and the second one) out the door, so they’ve been a part of the process in many aspects – from inspiration to photography subjects to editors, in a way. They’re a little young, I think, to really understand what it all means, though they’re the first to jump up and down with me when the book arrived for the first time. Or when we spy it in a bookstore. I do hope that when they’re a bit older this book will be something they’re proud of, and something that will tell them a bit of the tale of these years of our family’s life together. I work really hard at finding the balance between sharing what we do, but not sharing too much of ‘them’ in a way that they might be unhappy with in later years. I suppose time – and they - will be the ones to tell if I’ve been successful at that!

get involved: theres a flickr group

My thoughts on this book: I love this book - if you have children then you need this book. If you only buy one book this year - make it this one.

More: see amanda on this online interview/tutorial about the book and one of the projects in the book - she might be embarrassed by this - I think she was a little nervous. but I thought it was really lovely

Win a copy of this book:

comment here about your own family creativity - comments will close Tuesday … and will be drawn wednesday.

Images: images in this post are from Amanda’s blog. The top image is Amanda’s embroidery, second image some freezer paper stenciling and the third image her children creating at the family table and lastly Amanda herself in the snow wearing her own snow beret.

edited: winner announced - chosen by my random number picker Laura Weber

When I was young, my mother was one of those hands-on get dirty have fun kind of Moms. From gardening to cooking to sewing, we would do everything together. Now that I have a child of my own and a hectic full time working schedule, I find myself drawn to same hands-on approach. My daughter and I sit down to bead, or make an old shoe box into a dog house, or bake, and it gives us time to stop our crazy schedule and enjoy each other - while creating something lasting (or in the case of baking, not so lasting!) together. Thanks, Soulemama for giving us some new creative ideas, and reminding us of what’s important.

A Fine Fleece: Knitting with Handspun Yarns by Lisa Lloyd, published by Potter Craft (April 8, 2008)

I love knitting and have been knitting for many many years. My first experience of knitting was of finger knitting - or chain stitch, I graduated from that to a cotton reel with 4 nails in the top and another nail to help lever the wool over the nail. Next were a couple of broken knitting needles and playing making a “scarf”.

I guess I experimented with knitting quite a bit over the years, making small things here and there. When I started knitting seriously was probably as young mother, knitting darling little jackets and booties for my babies, I don’t remember any books being available on knitting like the one I am about to discuss. Most were just a photo and instructions in a small paperback.

Back on track to telling you about this book - A fine Fleece by Lisa Lloyd . Lisa begins with saying “Knitting with the yarn that been spun by hand is an exquisite experience. Every knitter knows how handknit sweaters differ from store bought ones knit by machine” I will add another of my own “Nothing beats a garment you have knit yourself from wool you have spun yourself.”

Lisa goes on to speak of the pleasure and adventure of collecting and spinning the wool and considers that is only the beginning of the garment that will be finally knitted and proudly worn. She says Remember that knitting is a journey filled with stories and lessons learned along the way. Enjoying the process and being thankful for the opportunity to work with wonderful fibers will enhance your journey. A lifetime told with sweaters is a lifetime of joy, for you and anyone who shares your stories by wearing your sweaters. I will also add that someone you love will hopefully eventually wear this garment and appreciate the love and caring that went into its making.

After the first chapter - with the design concepts and wool appreciation section, chapter two goes into the world of hand spinning using the hand spindle as well as a spinning wheel - I personally find spinning to be an adventure in its own right. This chapter discusses the interesting breeds of sheep and the wool they produce as well and what she calls the exotic fibers ie mohair , llama , alpaca etc

To say the first chapters are interesting is an understatement, the rest of the book are patterns well illustrated from intermediate and beginner patterns to the most beautiful cables and lace. Instructions come with beautiful photos and drawn layouts including sizing charts and with each of the patterns. The instructions are really very good and make knitting from this book a pleasurable experience. Very inspiring.

I highly recommend this book as both a good read and one you will use time and again to all knitters from beginner to absolutely accomplished.

More: book website : author website

About the reviewer: Janette loves all crafts and has experimented with everything from pottery to folk art, she particularly loves yarn crafts like spinning and felting but always comes back to her first love of knitting. She spends her retirement playing with yarn and making things for her grandchildren.

AntiCraft: Knitting, Beading and Stitching for the Slightly Sinister by by Renee Rigdon and Zabet Stewart published by North Light Books (November 30, 2007) [want more visit the web site]

You should craft in a medium that understands you

[Renee and Zabets Antifesto]

Anticraft is a glossy black book with rough type and a rude feel. Curious? Well, Anticraft is the ’sellout’ (they say that themselves) book from sinister crafters Renee Rigdon and Zabet Stewart. Its a complete package - witty authors comments, comic strips, crafty facts, patterns galore and glamorous fashion shots. One could almost forget that it is a craft book at all. At times the dark humor gets the better of the craft, which makes reading directions for a project
slightly difficult when laughing so hard.

The combination of mediums, not only through the design, but the variety projects offered makes sure that there is something for everyones liking. Will it be the gaff tape corset or recipe for Hellfire Heartburn Chick Pea Soup that will tickle your fancy? Although they say they only put 5% of their time into writing, this collection of patterns and ideas is comprehensive enough to fuel the imagination for many a read. Accompanied by illustrated useful tips in the back for those that have never crochetted or knitted or beaded before, Anticraft makes an excellent addition to any bookshelf.

About the patterns: my fave project - the Whilameenas - Nothing like a creppy softie to adorn the mantle piece. Definitely one to make for the person that you can’t live without. Strangest - the Skylla - the menstrual cup cozy shaped like a squid.
It really bent my imagination, but was cute at the same time. I would fear an unsuspecting guest would pick it up and get quite a surprise. The worst project - but only from where I sit - The Captains Daughter… just a little bit too soft for a cat-of-nine tails… maybe its the photo or the unconvincing noise whipping wool makes?

The design is heavy throughout the book. Definitely not for the faint hearted. It has a well thought out but complicated structure makes it an interesting read from whichever page you start. I found it hard to follow all the information without getting sidetracked and the lack of colour through the project pages made it all blur together a bit. The photography varied, the idea of stripping out the colours except for the project piece is a nice one… except when the piece is black.
Perhaps it is the matt paper that soaks up the ink that leaves the photos a little flat.

In the introduction the book, we are introduced to the concept of a journey through the work of 19 designers, and that is what it is. A complete smorgasboard of work from a variety of crafty disciplines, some projects have been around a while, but here they are presented with a twist. And basically that is the book, craft with a cynical sinister twist.

About the reviewer: Heather is a designer and illustrator who loves to make things - she has a suitcase full of vintage fabrics, ribbons and papers and sews away on her grandmothers old singer sewing machine. She is a subversive crafter at heart and resides in Australia.

At a Crossroads: Between a Rock and My Parents’ Place by Kate T. Williamson and published by Princeton Architectural Press; 1 edition (May 1, 2008) by the same author as A Year in Japan.

From the first illustration, Kate Williams captures the essence of what it is to be at a crossroads in the often confusing journey of the world. The awkward daughter arriving back on the doorstep of her parents house. The pink bedroom. The desire to learn all the words to a favourite song. Williams is open and honest in this graphic novel which is an introspective look at a herself during a time when she was at a crossroads.

The illustrations are frank in the same manner in which she approaches the issues which arise with moving back to the place she grew up in. “At a Crossroads” beautifully illustrates everyday scenarios everyone will be able to relate to - enrolling in a ballet class for children, or attending a concert with your mum. Aside from the illustrations, Williams is making a point about choice in todays world. That there is alot to do, and nothing is right/wrong/or a bit too daggy to investigate. A great graphic novel that takes off from where “A Year in Japan” left us.

This book, with its relaxed visual style could be interesting to anyone. The storyline is merely suggestive and invites a reader to think about times or situations they have found themselves in which may be similar. It is definitely geared towards the female reader seeing that the main character is a woman. This is not to say that a
man would not find her illustrations lovely or engaging, just that the themes seem more sympathetic towards crossroads in a womans life. It is for lovers of illustration, for anyone who has the time to look and take a moment to think.

Being brutal, I find these style of graphic novels are hard to justify as purchases. I find I read them in 15 minutes, 2nd round is looking at the artwork and then thats about it. At a Crossroads did make me stop and think about some similar situations, but I still felt as if I was reading a diary and that there would be no real reason to go back.

However its lovely engaging way of telling a story provides insight into the authors world. Although she is brutally honest about all her shortcomings and struggles with the time she is at in life, its really not much more than an illustrated diary. Its purpose may be just that. To illustrate that problems slipping back in are similar regardless of age, country, place etc

About the reviewer: Heather is an illustrator and designer - in a crossroads of her own. She lives in Australia.

Our Farm: A Year in the Life of a Smallholding by Rosie Boycott, published by Bloomsbury 2007. Distributed in Australia through Allen and Unwin.

Pigs have personalities, moods and a sense of humour and are generally adorable, something that I did not realise before I read Rosie Boycott’s account of A year in the life of a smallholding. Reading “Our Farm” will probably have the same effect as viewing the film “Babe” did for the pork industry – sales of bacon and pork will plummet for a while. (For sensitive readers I would suggest skipping out the pages which describe in some detail the slaughter of her pigs by electrocution, so be warned.)

The complex politics of trying to battle the arrival of a major supermarket chain (being promoted by the local town council) from ruining the livelihoods of small shopkeepers in her adopted community is the other recurrent theme. If ever there was a case for shopping at farmer’s markets and small local shops with local produce, then Boycott makes it in spades. This unusual book is somewhat like a diary of “how we did it” more than “how to do it” The exact and frightening costs of setting up the mixed farm are listed in detail to the last penny, and would be very useful for any prospective self sufficiency enthusiast to know in advance.

According to the jacket, the author has been many things in her past life, including mother, magazine editor, TV presenter, junky, alcoholic, divorcee and hippy. The book starts with the acquisition of a property in Somerset and brief allusions to the past, including her marriages, the accident that nearly cost her a leg and a too brief skim through her somewhat murky past, I expected details would be expanded upon, but were not. Perhaps much of it was too painful to recall in detail or even difficult to remember. The venture into farming is a real attempt to reinvent herself and get away from the poisonous life style that had nearly claimed her life.

After a big investment in capital, very hard work and lots of paid and unpaid help, the farm finally yields a modest profit, more than a year after beginning. The sense of achievement is enormous and Boycott finds the peace to appreciate life again. She experiences the surrounding nature with wonder and delight and gets pleasure from simple small everyday events and the friendship and acceptance of locals. While I quite enjoyed the book - the interesting agricultural and political content, unfortunately I thought it was rather hastily put together.

About the Reviewer: Dace Shugg is an editor and researcher, she spends her retirement on various projects - from working with the Cystic Fibrosis Organisation in Tasmania to sewing for her grandchildren and looking after her extensive garden - she resides in Tasmania Australia.

Designing Jewelry with Glass Beads by Stephanie Sersich , published by Interweave Press (April 1, 2008).

I am not quite sure why I was so surprised by how much I actually like this book. Maybe it is the too clean, almost stark uninspiring cover that just didn’t catch my imagination. But upon further inspection I am really quite delighted in this book.

Firstly though - this book is not about making glass beads, rather how to use glass beads you have purchased (or made). The begins with an essay on the history of glass beading and then moved on to an explanation on the various types of glass beads - how they are made etc and then a discussion about the elements of design, looking at colour and contrast, repetition and texture.

The main part of the book is full of projects, some techniques and some artist showcases on various types of bead making and some fabulous images of the author in her bead making studio hard at work. There are some quite unique pieces here, such as the Trapeze necklace - which has a combination of fibre, bone, shell and glass beads. I also quite like the whimsical and simply designed ribbon necklace and the more ornate pearly collar (pictured).

I really enjoyed the colourful designs and the simple way the projects are explained and broken down. Highly recommend.

Author website

The Art Of Wooing, a new book described by author Kaz Brecher as a mixed media art and poetry book with a story told through email exchange”, is totally original and exciting! Kaz has created this beautifully illustrated book all about (you guessed it) the art of wooing, and everything that that entails. An autobiography of sorts, the artwork and poems illustrate the ups and downs of an 18 month long relationship Kaz had with her kickboxing instructor.

Many people use artistic expression and journaling as an outlet to help keep themselves focused and anchored. This book a fabulous example of just how effective a practice it can be! The book is self-published and available exclusively through the website.

(This Thursday evening, 2/28, there will be a book release party in Los Angeles at Fresh Pressed. Come meet Kaz and pick up a copy of the book for yourself!)

Boho Baby Knits: Groovy Patterns for Cool Tots by Kat Coyle published by Potter Craft (November 13, 2007)

First of all - this book is not for beginner knitters, you must have some knitting experience to be able to attempt the easiest of these patterns - and there are plenty of challenges for more experienced knitters.

The book covers knitting patterns for newborns to toddlers (4yrs old), and I think it is great to have this limit - not every style is suitable for all ages - although I am sure experienced knitters can extend some of the patterns to fit slightly older children.

The book is very cute, funky photography and stylings (perhaps just a wee tad too cute! with too clever names for the patterns?) but gorgeous photography, adorable children modeling the outfits - good instructions and illustrations (although once again not for beginners - as some knowledge is assumed).

Regarding the patterns - I must admit that I loved most of them - some more than others - such as the self striping poncho - but not really sure how practical a poncho is for a 2 year old. I did like the lacy A-line skirt with elastic waist, and the knitted bloomers/wool soakers (do these work?) look fab, so comfortable looking - great design.

There were some flimsy whimsical patterns - such as a knitted very delicate fairy wings great idea - they look amazing - but for a toddler? I must admit to be struck by the ‘poet coat’ knitted in linen stitch with collar, cuffs and tails - so so adorable. In fact there are some very unusual and likeable patterns in here for boys - worthy buying for that fact alone. The coat and the ’studio lounger’ lounge pants knitted from side to side in self striping yarn are fantastic too.

As well as clothing there are also funny face bonnets, knitted picture book, and toys too. As will most knitting books there are some duds - but surprisingly few - recommend.

When I was a little girl I loved doing crafty projects with end results that I could be proud of. I was no stranger to tie-dyeing my own tees, papier-maché, making kaleidoscopes out of toilet paper rolls, you name it! There is a fab new book from Black Dog Publishing called Making Stuff for Kids by Victoria Woodcock, Ziggy Hanaor & Safiya Waley which is jam packed with art projects for the whole family! The book is broken down by age, beginning at 3, making it easy to find appropriate activities for all the members of the family! There are new versions of projects that you no doubt did, which I think is really exciting and brings a nostalgic twist to crafting with your kids! There are projects ranging from utilitarian (Pinboard Wizard, pg 116.) to just plain silly and fun (Totally Tutu, pg. 104). Each project includes easy to follow patterns and instructions to make the day go smoothly! You will only have to worry about having too much fun!

What I think is a great added bonus to this book, is the “How To . . .” section in the beginning defining all different forms of fabric crafts, including Applique, Knitting and Felting, with step by step instructions. There are even pages dedicated to easy and popular sewing stitches. I certainly learned a few things while perusing the pages, and cant wait to share this book with my niece!

Country Living Crafting a Business: Make Money Doing What You Love (Country Living) by Kathie Fitzgerald published by Hearst (January 1, 2008)

This book is quite an inspirational read. Filled with the stories of women who have made their handcraft passion into their livelihood. From weavers to cake decorators to book binders the women in this book are all passionate about what they do. There are mothers who turned to working from home out of a need to be with their children and women turned to crafting their business after a career elsewhere that left them empty. The stories of how these women became or are on their way to becoming successful are interesting and insightful and show what it actually takes to make crafting for a living actually financially viable. (lots of hard work and a passion for what you do)

There is a great deal of advice throughout, as well as a summing up at the end of each section and at the back where there is an excellent resource including how to write a business plan, marketing and sales and financial management and more.

Some of the women who are mentioned in the book include designers, shop owners and artisans: such as Liz Alpert Fay - textiles (rug hooking), Phyllis Leck (country weaving), Kaari Meng from french general , Amy Butler (fabric design), Crispina Ffrench (re purposing wool), Lisa Norris from Made by one girl (book binding) and lots more including caterers, fashion designers, flea market tours, cowgirl non-traditional vacations, florists and floral garden designers, interior designers and childrens clothing designers. Such a range of fantastic and inspiring women - a great read and resource.

Natural Dyes (Textiles Handbooks) by Linda Rudkin, published by A & C Black Publishers Ltd (August 20, 2007), distributed in Australia through Allen and Unwin.

This in an interesting technical guide to natural dyeing. Lots of information in one place - with extensive info on mordants and dyestuffs as well as some information on the process, materials and health and safety. The bonus is that the second half of the book has sample boards of the different dyestuffs used on various materials and used with different mordants.

My only complaint (well two really) I am not exactly sure about the accuracy of the colours, some pages seem to dark or dull or else overly bright - and as this is a book giving examples of what various plant dyes look like this is a bit of a downer. Another annoying thing - is what appears to be a design fault with a printing error at the top of every page.

Knit.101: The Indispensable Self-Help Guide to Knitting and Crochet (Vogue Knitting) by Editors of Knit.1 Magazine, published by Sixth&Spring Books (March 1, 2007)

My initial reaction to this book was that it is trying a little too hard - the patterns are just slightly unusual enough to not really appeal to a wide audience, yet not quirky enough to appeal to the young/hip/punk audience. They sit uncomfortably somewhere in between. (Also I found myself really annoyed by ‘K.1′ appearing in most of the patterns.)

However getting all of that out of the way - there is a small audience of groovy teens or quirky dressers who will love this book. Also it has some really good basic instructions (illustrations and photographs) that are pitched at the beginner. The projects also take you through the various steps, beginning at easy and moving on to more difficult patterns. The first project in the book - is in fact a bulky scarf titled ‘guy’s scarf’, strangely modeled by a half naked man pretending to knit with gigantic needles. As more advanced stitches are explained and illustrated the projects and patterns are appropriate to the knowledge gained.

As mentioned above this book does have more than your average awful projects (knitted clock and oversized cowl neck sweater for example). But sometimes unusual can be good, like the novelty laced up leggings and the pedicure socks (pictured), I also really liked the shape of the cropped sweater (not sure about the intarsia guitar sweater though).

The first half of the book is knitting the second half crochet, and as with the knitting half, knowledge is not assumed. Again there are some hideous projects here (mesh poncho) but equally some fun ones too (cat toys and crochet felted checker board - pictured below).

Overall, this is a book with not too serious projects but some serious instructions. Appeal more to a younger audience.

‘My World: The New Subjectivity in Design’ Featuring the work of Alison Willoughby, Danny Brown, Committee, Doshi Levien, Neutral, Peter Traag, Wok Media (this review is limited to Alison Willoughby – 10 Skirts) at Pratt Manhattan Gallery (finishes Feb 23)

photo courtesy of Zacheta National Gallery

Alison Willoughby did her BA in Glasgow in Printed and Knitted textiles from 1996-1999 and her MA in London at The Royal College of Art in Mixed Media Textiles from 1999-2001, where she completed her dissertation on the kilt. Study of the Gaelic garment eventually led her to the circle skirt, a simple garment made from just one perfect circle. Lain flat, Willoughby saw this as a canvas for applying materials: badges, pins, pieces cut from fabric, silkscreens. When a circle is cut out of the middle of the original large circle, the flat canvas suddenly becomes a 3 dimensional wearable object even without subsequent shaping – a skirt.

Her approach is perfectly illustrated by the piece “One”, a 3’ tall stack of fabric circles cut from old bedspreads, shirtings, batting, corduroy, twills – all skirts-to-be:

photo courtesy of Zacheta National Gallery

This piece reveals the underlying concept of the 10 skirts in the exhibition (a part of “My World: The New Subjectivity in Design” at the Pratt Manhattan Gallery), which are hung from the ceiling of the gallery, all the better to witness Willoughby’s penchant for layering more than one circle for a petticoat effect.

Embellishment is what really sets her skirts apart, and she frequently carries the circle theme through by creating concentric circles of colored pin badges, or by sewing on smaller circles of fabric, or by sewing on other shapes of fabric in circles.

49 Sensational Skirts: Creative Embellishment Ideas for One-of-a-kind Designs by Alison Willoughby, published by Interweave Press (April 1, 2008).

The show at the Pratt gallery is a nice opportunity to see her work in person, but Alison Willoughby doesn’t just want you to see her work – she wants you to make it yourself. Her new book, 49 Sensational Skirts compiles some of her ideas and techniques and makes them friendly to the home crafter – even to those with no sewing experience.

While first and foremost a book about embellishing skirts, the book does include a basic circle-skirt paper pattern, a glossary of sewing materials and simple machine techniques, and complete information on making or applying closures (ties, snaps, and clips). She also includes a tutorial on silkscreening, transfer foiling, and fusible webbing. The projects range from simple embellishment that can be done in a matter of hours to those involving hundreds of folded fabric pieces sewn closely together in geometric patterns.

Though she gives clear instructions on reproducing her designs, one thing that rings clear throughout is Willoughby’s desire that people make the skirts their own. She encourages the use of second hand ready-made skirts as a basic canvas and of being creative with embellishment. Though all of her ideas and the color photography illustrating them provide inspiration for wearable skirts with a strong sense of individuality, she wants you to use them as a point of departure for your own explorations.

Read more: Recent interview with Alison at Whip Up

To celebrate Alt Crafting month - win a copy of Alison’s book by leaving a comment here answering the following questions: (comments will close Sunday Midnight)

If you decorated/embellished an outfit such as in the vein of one of Alison Willoughby’s skirts would you want to wear it or hang it on the wall?

Fabric Jewelry: 25 Designs to Make Using Silk, Ribbon, Buttons, and Beads by Teresa Searle published by St. Martin’s Griffin (January 8, 2008). Distributed in Australia through Allen and Unwin.

A colourful and eclectic collection of fun and simple designs and projects. I am glad that this book made it out there, in the world of mixed media and fibre jewelry books (that I am loving), because there are some good and interesting techniques used to make, on the whole, some lovely projects (if sometimes a tad over the top with extra decorative effects).

I was happy to see the humble yoyo make it into two different designs. The projects in the book use the qualities of different types of fabric to good effect - knitted fabric, woven and raw fabrics, soft and silky chiffons and satins too. There are plenty of techniques to help the beginning sewer learn as well as add some variety to more experienced sewers projects.

Out of the Ordinary: Spectacular Craft by by Laurie Britton-Newell (Author), Glenn Adamson (Contributor), Tanya Harrod (Contributor), published by Victoria and Albert Museum (November 1, 2007) to accompany the exhibition by the same name. - 13 November 2007 - 17 February 2008 A V&A and Crafts Council exhibition.

Out of the Ordinary - a group of international artists who place craft at the heart of their practice, transforming everyday subjects and materials. … a showcase of examples of meticulous making and attention to detail. Challenging conventional ideas about craft, these artists use tradition to achieve unexpected outcomes. … artists included Olu Amoda, Annie Cattrell, Susan Collis, Naomi Filmer, Lu Shengzhong, Yoshihiro Suda and Anne Wilson.

Catherine Bertola - works with ephemeral material - dust. Carefully collecting and preserving the matter that V&A conservators and cleaners strive daily to remove, she transforms dirt and dead bugs creating a site-specific installation that tells a story about the history of a space.

caption: The property of Two Gentlemen (installation view), 2006, Household dust, pva glue, two Georgian chairs, engraved brass plaques. Photo credit: Douglas Atfield

Susan Collis’s work might at first glance appear to be out of place in an exhibition, and you have to look closely to discover it. Mundane things, seemingly left behind from a previous exhibition, are actually meticulously worked by hand. An apparently paint-splashed dust sheet or ladder which are in fact intricately embroidered or inlaid with lavish materials such as diamonds, silk and mother of pearl. Labouring for many months on a single piece, Collis consciously celebrates both the humility and discipline of making something really well.

caption: Susan Collis, Waltzer Wooden broom, 2007, Opals, turquoise, garnets, seed pearls, mother of pearl, black diamonds, white diamonds, fresh water pearls, coral, black onyx, marcacite, Image courtesy of Seventeen, © Susan Collis, Courtesy of Seventeen.

Yoshihiro Suda creates hyper-realistic flowers and weeds from wood. He carves and paints each piece, using traditional Japanese tools, taking many days to complete a single petal or leaf. His work has been compared to a haiku poem The carved pieces of magnolia wood that become flowers in his hands are whittled down to paper-thin petals, stamens, sepals, leaves and stem with incredible realism, in the same way that language is stripped in haiku, to a very small and pure thing; something momentary. Also, there is a structured and skilled approach to describing nature which exists in both; and further, a fine haiku is able to be very small and exercise a great deal of power. (from circa)

caption: Yoshihiro Suda, Weeds paint on wood, installation view at Naoshima Contemporary Art Museum 2002 , Courtesy Gallery Koyangi.

These are just three of the artists whose work appears in the exhibition - the book which accompanies this show is extraordinary as well, images and text give further information about heach artist, there are interviews with the artists as well as images of their studios and work practices - absolutely fascinating. Only a few days left to see this show - if you are in London you must go! more info here

Craft in America: Celebrating Two Centuries of Artists and Objects by Jo Lauria and Steve Fenton. published by Clarkson Potter (October 9, 2007). This is the companion book to the documentary series.

This book may be a companion to the series, however not having seen the series, I didn’t feel like I was missing anything, the book stands on its own. Its an incredibly high quality book with luscious images, of artists in the homes and studios, historic images, and plenty of images of beautiful objects.

This book discusses the importance of craft in current culture and its place in history. It discusses craft as ”our” inheritance, it is the personal collections of the people, it holds our identity, it is both functional and fun and is about experimentation.

Craftspeople that are included in the book are both the self taught and University educationed, urban and rural. The very first chapter looks at the place of craft in religious communities - Shaker furniture, Amish quilts and further chapters looks at Native American crafting. The book continues on to look at various communities, craft colleges and universities and spends time looking at the mediums of craft such as textiles and weaving, jewelry and fashion, pottery and glass and furniture.

Its an incredible journey - a fabulous resource.

The Pocket Paper Engineer, Volume I: Basic Forms: How to Make Pop-Ups Step-by-Step by Carol Barton published by Popular Kinetics Press (1 Spi edition (October 1, 2005) pt 2 due out 2008)

A brilliant book which explains in detail how to make popups. Starting with a short history into paper engineering and the mechanics of how to make 3D forms come alive. The simple concept of a pop up delights everyone. From the easiest of folds to the more complicated constructs with layered movement that pulls out from the page when opened.

Its a must to start at the begining of this book, as all materials and directions are neatly explained. The language is aimed at a young audience, but this is great when introducing precise techniques needed to make pop-ups work. The design of the book, with its oversized portrait DL layout and
spiral bind gives the reader the feeling they are entering into a great hands-on instruction manual rather than a sit in bed under the covers kinda book.

Infact, the foldouts, and card pockets (which contain illustrations to cut out) make this book the kind you sit at the craft table with. Its neatly organised chapters (triangles, squares, variations etc) are neatly tabbed giving the whole book a real scrap-booky feel. I did get lost occasionally, as the page numbers get hidden in the folds and it would have been good to include a few 3D examples, although the illustrations are very precise.

It is a book designed to teach the techniques of pop-ups and then armed with this new knowledge and skill, the reader is invited to explore their imagination. Enjoy the adventures!

Author website: popular kinetics

About the reviewer: Heather is a designer, film maker and generally crafty creative person. She loves to invite her friends round for a craft jam and craft-a-noon - and has a website which she occasionally updates with her adventures and experiments in design.

The Natural Knitter: How to Choose, Use, and Knit Natural Fibers from Alpaca to Yak by Barbara Albright, published by Potter Craft (March 6, 2007).

For yarn lovers. A book devoted to natural fibres - wool and other animal fibres, silk, plant fibres and plant dyes. This book explains what the terms ‘natural’ and ‘organic’ really mean.

This book is filled with luscious images of yarn in all its manifestations - yarn lovers will drool over this book. The main important aspect of this book is the explanation of the various yarns, from good old wool, to camel, Alpaca and Angora, then followed by a few patterns/projects using each particular yarn - the projects are simple and stylish - lots of lovely sweaters, as well as some toys and children’s outfits. I particularly liked the meditation rug and the angora infant sweater.

It is a very readable book, I enjoyed not only reading about the yarns, but also about various yarn makers - small artisans, business owners and farmers who either produce the fibre in its raw state, who take the raw fibres and turn it into yarn and also those who use natural dyes to produce art yarns. Towards the back of the book there is a small section on spinning and dyeing fibres so you can give it a go yourself, however this is not primarily a how-to book, rather a combination of patterns, how-to’s, stories and descriptions of fibre. An excellent book if you are into using alternative and organic yarns - timeless - highly recommend.

Barbara Albright died in 2006 at age 51 from a brain tumor, leaving behind her husband and two children.

Kids craft weekly has donated 5 copies of her book Everyday Craft , its packed with creative ideas - the projects use household items as the foundation for fun and achievable kid’s craft projects.

Everyday Craft more info here.

to win one of five copies of this great book simply leave a reply in the comments - (make sure that you write your current email address when you post your comment) answer the following questions.

Share your favourite ‘everyday’ item for crafting?
And nominate your favourite kid’s craft project?

forgot to add - comments will close at the end of the month - cheers

Indigo Knits: The Quintessential Guide to Denim Yarn from the Founders of Artwork by Jane Gottelier (Author), Patrick Gottelier (Photographer), published by Potter Craft (November 13, 2007).

I was quite impressed with this book for a number of reasons. But before I go into the reasons I want to explain my love for knitting and fibre books. I don’t just use them as a practical pattern book, I love to gaze upon the pictures too, I love to sigh over the fibres and patterns and colours. So when a book has beautiful images I am instantly attracted. Then of course I check out how good the patterns actually are - looking is one thing, making quite another.

This book has some lovely scenic photography of Cornwall, my mothers family came from Cornwall so it was quite lovely to look upon the area, and images of the various fisherman/guernsey/cable sweaters, both pullover, and cardigan are just gorgeous. My mother was a cable expert and would have loved the challenge they presented. For me though, I prefer my challenges in other areas - but I did like the simple tunic style pullovers in soft faded comfort, and the simply delightful crochet cotton skirt, which my daughter is angling for me to make for her.

The patterns in the book are either knitted or crocheted and all from denim/cotton, but another aspect of the book which I was intrigued by was the use of bleach on the denim fibre to highlight the cables -I rather the liked the end result. There is a Jackson Pollock inspired design where bleach turns part of the pattern into brown. And a “Painterly Stripe Sweater” which features the same effect where certain stripes with the aid of bleach change colour, it is quite interesting.

I don’t generally like to knit with cotton - its a strange bias I have, but I enjoy so much the feel of pure wool in my hands that knitting with cotton seems like a waste of time to me. And I am not sure that I could justify spending all the time knitting complex cables in a child’s garment - unless of course there were multiple children to pass it on down the line. However after checking my stash it appears as if I may have enough knitting cotton in white and mauve to knit the “Pirate-stripe guernsey” for my daughter.

About the reviewer: Janette lives in Australia and is spending her retirement doing the things she loves. Gardening, playing with yarn and making things for her grandchildren.