Mommying, designing, playing at the park, and living-room dance parties are a part of each day for Kristal Davis. Editor of the handmade design and eco friendly blog and design studio the rikrak studio (her sustainable goodies are available in over ninety shops and galleries around the globe). Kristal and her wonderful and creative little family live in the pretty rolling hills outside of Toronto, Canada. Links to her Etsy shop and her blog.

Thanks ever-so-much for having me chit-chat about the handmade olympics, Kathreen! It’s such pleasure being part of whipup for the day- you’ve crafted such an inspiring and resourceful home for many things near and dear to my own heart. We all thank you so much for that. (and i’m THRILLED to have you on-board as a judge this year! yay!)

I LOVE a good celebration, and so it was with celebrating creating at its artsy soul, a couple of years ago an idea known as the handmade olympics was crafted.  Just like when nations gather for that ‘other’ kind of olympic fun, I thought a few weeks of cyberly cheering for handmaking would be great for all of us.

Now in its 3rd year, here’s the basic idea: Just 3 easy steps:

  • Step 1: Folks nominate their favourite handmade items and crafty bloggers in 7 events. It’s a wonderful way to pay homage to the works of others you love, (and make someone’s DAY by nominating them!) and to show the world what your are making, too! It’s also a wonderful way to discover amazing works by others around the globe! Just in case you needed another incentive …  there’s also $1700 worth of handmade prizes up for grabs! Nominations close 5 April. So hurry and nominate yourself and another in EACH EVENT here!
  • Step 3: Let the voting begin! On april 17th,  it’s your turn again, nicies, your chance to demonstrate your demoCRAFTic right and come VOTE for your fa
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Parson Gray is the brand of David Butler – artist and lead singer of the band Black Owls. With a decidedly “folk modern” approach, David uses richly muted palettes and organic, geometric prints with hand-drawn sophistication anchored in modernist simplicity reminiscent of mid-century studio design. His brand offerings range from textiles, to fashion, home and personal accessories.

Thanks for swinging by Whipup and letting me indulge for a bit. I’m going to ramble about my design inspiration and process for just a little while, and if you get bored, well, that’s my fault. Some of you may know me as the husband of the awesome designer Amy Butler, and some of you (fewer of you) might know that I also have a band called Black Owls. I lead a very full and very kinetic & crazy life, just the way I like it! I’m glad you’re here.

Start by saying that I always have ideas and inspiration pinned up on my boards. I know pretty much what the collection of prints is going to be when designing fabric. My inspiration boards contain strange elements and shapes in nature, rock music, folk art, mid-century design, motion, fashion, all things that I find exciting and soothing at the same time. I use these inspirations more for tone and story rather than real reference for the art. It never really seems to work that way. I like to have an over-abundance of reference, and drawings/paintings, and edit down from where I started. There are many parallels to creating music. I like to write a large volume of songs and then pare down to get to an album. The difference is with rock music, I co-create with my partner Ed who writes the music. We have sketches, we finalize them (demos), then we turn them into final art (masters). It just takes a heck of a lot longer to do the music than it does to do the fabrics!

For Curious Nature there were a few prints that went all the way through coloring and then bit the dust after I put together the entire collection. (Just like our new album) They seemed a perfect fit when I started, but didn’t flow well with everything else once it all came together as a color story. I pull together my drawings and prints in black and white and scan them in. Then I make my repeats and clean up the art as I need to. I intentionally keep the hand-drawn character, flaws and all, because it is inherent to the character of the art. I then make my step and repeats on the computer and build my color palette. Then it’s all just experimentation. Dropping in colors, printing them out, laying them on the floor and editing. Like I said, not everything makes the cut. The whole process for me takes a little less than a week to complete.

My next range is already designed and in production. It’s called Seven Wonders. 24 prints that will work alongside Curious Nature. I wanted to expand upon the palette that I’ve built with the first line, and create a world of prints and colors that go together – So folks can refresh their investment in Curious Nature with an addendum set of colors and prints. I love the idea of expanding upon something already built. I’m currently working on a series of other products and ideas (while helping Amy with her business and photography, website, etc..). A Black Owls double album comes out soon too. I need a nap.

Thanks for checking in! – Dave

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Julie is a slightly unhinged fabric junkie! She is also stitching and crafting obsessed. As well as being addicted to tea. And cake. She is mumma to three beautiful little girls and cares deeply about the world they will inherit.  Julie blogs sporadically at Relish.

Modern Quilting

The “Modern Quilting” movement is happening around us and yet, what is modern quilting? What does that term mean? And how many people are actually aware of the movement? With the release of a number of books with the title “modern” recently, I have been thinking about what the term, in relation to quilting, really means.

When looking at art, there is a (reasonably) definitive period into which modern art fits. There is a generally accepted timeframe (from about the 1860′s to the 1970′s) and within the overall modern art movement, there are many styles (including impressionism, cubism, expressionism and fauvism). There are also many interpretations of the styles by many different artists but collectively, they form a movement that was an important turning point in the way we see art – these artists shifted art from being commissioned pieces for the wealthy, to being accessible to the greater population. Artists began to create for the sake of art rather than for a specific purpose (i.e. portraits of the privileged), they formed communities and practiced together, developing technique, discovering mediums and refining skills.

For me, there appears to be a great difficulty in defining modern quilting. However, when I began to think about modern art, I quite quickly drew parallels to the modern quilting movement. As modern quilters, we too are stepping aside of tradition, using colour in new ways, changing the rules if you like. We too have many styles within the movement and we too have developed communities, both online and in the real world. We are inspiring one another to push boundaries and experiment with our craft. Modern quilting, for me, is a movement that does not discard tradition but rather uses it as a basis to embrace change, to explore and to bend (and break) the rules.

While thinking about what modern quilting is, I have also been wondering about how popular or well known it is. A recent conversation with a quilter friend posed some interesting questions for me. My friend is very much a “traditional” quilter. The quilts she produces are stunning, technically precise and more than worthy of quilt show prizes. She is prolific in her crafting and belongs to both the local guild and a social quilting group. Yet, she knew very little of the online quilting community, did not understand what I meant when I mentioned modern quilting and was completely unaware of the style I was referring to. In addition, my local quilt shop stocks virtually no solids and certainly none of the fabric ranges that immediately come to mind when I think modern – certainly no Anna Maria Horner, Joel Dewberry, Anita Hoey – I do most of my fabric shopping online for this reason. When I have taken some books into the store looking for fabric that may be suitable for a project, the owner has not heard of the authors and is not aware of the blogging crafty community that I feel so connected to.

I want to know if this modern movement is known amongst quilters outside of it, are others aware of it? Can they appreciate modern the way I appreciate traditional without having to work that way? Or do they just not know that there are other options, because like me, their LQS does not stock the fabrics and books that allow them to branch out and they don’t follow the online quilting community? I wonder if modern quilting will one day be studied as we now study traditional quilting? Will it be recognised as a time of change, of inspiring a new generation to become sewists?  Modern quilting raises so many possibilities but what I’d most like to know is what you think? How do you define modern? Are you a modern quilter? And if not, how do you define your style? I’m really interested to hear your thoughts…

Two modern quilting books

I have so many books on the shelves that I just like to look at. I buy them and love them and am inspired by them. I also use them to get a creative fix when children and life get in the way of me actually stitching. Today I want to tell you about recently published ‘Modern’ quilting books which inspired the modern quilting thoughts above:

Book 1: Modern Mix by Jessica Levitt, (Stash Books 2011), features 16 sewing projects including quilts, pillows, bags and other projects (apron, camera case, table cloth, wall hanging) made using vibrant saturated prints and a range of Kona solids. The ‘modern’ aspect of this book centres on how the designer uses fabric and colour and the author offers advice on fabric selection and design and colour, which can be useful for building confidence in making a selection.

Book 2: Modern Minimal by Alissa Haight Carlton, (Stash Books 2011), features 20 minimalist quilts in a variety of sizes. I have serious quilt envy after coming across this book! While the design of each quilt is simple, the effect of the bold colour and contrast is stunning. The author provides two quilting options for each quilt and those who are more experienced can challenge themselves with the quilting detail as the designs lend themselves to showcasing stitches.

Comparison:  This is the hard part. Both books are beautiful and I am inspired by a number of the projects in each. I really like the layouts, Stash Books have achieved a clean and clutter free design (a modern essential) with lots of white space that makes these books easy to read. Both books contain projects that are straightforward and many would suit beginners.

In terms of ‘modern quilting’ I am more drawn to  Modern Minimal for the contemporary designs, use of colour and contrast and the move away from traditional blocks. It provides an inspiring platform of ideas from which to launch further creativity. It guides while encouraging exploration. In Modern Minimal I felt I was seeing something new, I enjoyed the improvisational piecing section and also the clever use of colour. This book is a beautiful example of ‘modern’ as it moves away from the traditional block assembly. The quilts are all achievable in terms of difficulty level and time – (which appeals to this time poor Mumma). In addition, as these quilts are made with solids, they are relatively budget friendly. While Modern Mix provides a variety of projects suitable for all levels of sewist, and the use of fabric and colour is bold and eye catching. By simply changing the fabrics and colours the traditional quilter would feel right at home with many of these designs — perhaps this will help to expose the modern movement to a broader audience.

Do you, like me, enjoy books just for the eye candy? Or do you purchase them because you will absolutely make a pattern you’ve seen? I like the tactile nature of a book so often I will purchase one that I see online because I just have to touch it, I just have to touch and flip those shiny new pages… Are you satisfied with reading online or do you like to touch too?

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This week I guest posted over at Ansie’s place while she is travelling around Australia. The theme of my guest blog are the colours of Australia so click over to see some colour palettes from images from my last camping trip with family. The colours of the desert, the sunsets, the earth and the flowers. The image below is a flakey painted door next to some rich red bricks — I love to make these colour palettes simply using photoshop but I also like to use online palette making tools such as Kuler. It’s fun and free – give it a go!

NEWS

  • This week Anne has kicked off her five part quilting series and I am thrilled to be part of it – follow along!
  • The printed bolt has started off their fabric designer comp with a bang — looks like its going to be a really fun series.
  • Handmade olympics is on again – I am judging the eco section this year – looking forward to it!
  • Pinterest has changed their terms and conditions and I am once again happy to be using. Highlights of the update include:  ”Our original Terms stated that by posting content to Pinterest you grant Pinterest the right for to sell your content. Selling content was never our intention and we removed this from our updated Terms.” Huffington post has a good article about the changes.
  • Watch this video - best {and funniest} fashion video ever!
AT WHIPUP THIS WEEK
MAKE SOMETHING
READ
  • 500 Felt Objects is another amazing collection of work in the Lark Crafts 500 series, featuring challenging and energising work from a whole lot of amazing artists and designers who work with felt.
  • Mark Pearson is a professor of journalism at Bond University, his book Blogging and Tweeting without Getting Sued (Allen and Unwin 2012) guides us through the pitfalls of social media and explains how you can get your message across without landing yourself in legal trouble.
  • Country Cottage Quilting by Lynette Anderson (David & Charles February 2012) has everything you love about country crafts — the embroidered details, the felted textures, the soft colours, the beautiful applique. Nothing twee or gloomy about these designs, just lovely traditional country crafting at its best.

[Thanks to publishers and distributors for sending me books to review, I don't get paid to post reviews but I am an amazon affiliate] (Australians can purchase craft books online through can do books or booktopia or else browse booko for the best prices.)

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Crochet is the perfect medium for making toys — here are some easy beginner patterns to get your started …

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