design

Knitting designer series: I invited a few of my favourite knitwear designers to discuss their design process and inspiration and to share some tips and ideas too.

Karen lives and knits in Canada – her day is not complete without knitting a few rows – you can follow her on her blog (in French only) and on her Pinterest.

robe tunique à feuilles

I asked Karen a few questions about her design process and her knitwear designs for children.

You love designing for children – and your designs are so wearable, but with delightful details, can you discuss a little about your designs for children?

I really love the garter stitch, especially on kids’ garment, it is stretchy and classic and never goes out of fashion, so I try to integrate this stitch in most of my patterns. And knowing that my two girls are wearing their sweaters at school, I don’t feel comfortable knitting them with an expensive yarn, that’s why Cascade 220 is by far my favourite choice (yardage and colour choice for the price are unbeatable), and I would stress less if they come home with a tear in the cardigan.

To be honest I would love to knit for myself, and most of the ideas of design that are in my sketchbook are for adults – the thing is, I gained a lot of weight and I don’t feel comfortable knitting what I have in mind for the silhouette I have. That’s why my two girls (6 and 10) are the ones who benefit from my ideas.

In 2011 I was very fortunate to be contacted by a French publisher to write a knitting book for beginners – one of the patterns is a baby tunic with flowers, and when my youngest daughter asked for the same I took the opportunity to use the same flower motif but put it on a cardigan, that’s how Little Buds was born.

When I have an idea for designing a children’s garment I often start with a few sketches on paper, then I knit a swatch and start knitting for one of my daughters – I take notes as I go – and it’s only if I have requests for a pattern that I do the maths for multiple sizes – I consider myself a beginner in designing knitting patterns and my way of doing it may evolve in the future…

Tell us more about your book and the designs within.

My book was published a year ago (only in French) tricot mes secrets de fabrication. It is about MY way of knitting – I love using top down technique, magic loop and simple designs – but because it is intended for the beginner knitter it was not an easy task to put myself in the place of a beginner who doesn’t know how to knit. The book starts with the basic skills all knitters need to know, with some drawings (cast on, knit and purl row, increases/decreases etc..), I knit all the projects and I had almost all the freedom for the designs (except that I had to keep in mind the beginner level i.e no cables or more specific techniques) – it took me 3 months to knit and design all 17 projects.

At the beginning of the book the projects are simple and easy with some accessories (cowl, hat, baby blanket) and gradually they grow into more advanced (but still easy level) patterns (socks, children and women’s cardigan, shawl). A favourite design for the book is ”debardeur“, a baby vest, I wanted something unisex, easy and quick to knit – a little vest was my favourite item when my girls where babies – easy to slip over pyjamas to keep the baby warm, not too bulky so they can move. Of course I started with the top-down technique and I suggested my readers to transform it with different stitches, colours and why not a few increases to make it into a little dress. For each project I give a few tips, so that the knitter can add her personal touch – I often change a few things when I knit other designer’s patterns and I wanted other knitters to feel free to do the same – in 3 words: dare to try.

Colorblock

Your Bulle sweater dress has been a popular design – knitters are saying that they love the shape and the modern line of this design, you also have an adult version – will you be designing more in this style? Tell us about your design concept, process and inspiration.

I barely did anything on this one ;o) – it all started with a tiny tunic for a Blythe doll that I made few years ago (with garter stitch on the yoke and a balloon effect on the body and the sleeves) and my oldest daughter always asked for the same in her size. She explained to me what she wanted based on the doll’s dress, and I have just knitted as close to her ideas as possible. Basically she designed it, and I did it. I love the coloured pockets but I regret that you don’t really see the colour touch, so when people asked me to design the adult version I decided to change a bit the pockets to make them more visible.

Thanks so much Karen – can’t wait to see what you design next!

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Guest post by Heidi from Uncovered cover art

Uncovered Cover Art features reimagined children’s book covers. Professional and amateur artists can submit artwork, and new illustrations are added daily. Art directors, designers, and agents are all frequent visitors.

When you browse through the bookstore or the stacks of a library, a book cover makes all the difference. A good cover provokes an emotional reaction and instantly lets the reader know what the book is about. Every artist has their own unique style. That’s why it’s so fun to see a book illustrated again and again. As a children’s book editor, I’ve always enjoyed the process of finding an artist and working with the art director to design a new book cover. And I LOVE when we get a chance to go back and refresh a book with a new cover. It makes all the difference and I fall for a book all over again.

There are so many talented and creative artists in our world. Uncovered Cover Art is my way of celebrating them. I really hope this website will be a matchmaker for artists, art directors, and agents. I’ve been amazed by the response to the website with agents encouraging their clients to submit and artists sending in new work every day. I’m so excited each time I get a new submission. Here’s what I love to see…

I love art that feels loose and alive.

I discovered Jana Christy on Seven Impossible Things and her Little Red Riding Hood is a favorite on Uncovered Cover Art. She is so sassy!

I love color.

Meg Hunt gets it completely right with her Alice in Wonderland pieces.

The Princess & The Pea has been a source of inspiration for so many artists because it offers so much room to design amazing textures and contrast colors in fresh ways. This piece by Heather Ross would make me return to the book again and again.

I love texture.

Kate Slater’s The Owl and the Pussy Cat is the ultimate example. I could not care less about this poem, but there is so much here to draw you in.

Kevin Stanton’s homage to Where the Wild Things Are is so dreamy. I just want to stumble along the edges of this paper world and fall in.

I love being surprised.

Some of my favorites are those that just completely reinvent the book.

I absolutely love Quentin Blake’s artwork, but this illustration of Matilda is stunning. Chrystal Chan created this piece for the Gallery 1988’s Required Reading show in Los Angeles. It’s gorgeous, poignant, and made-you-gasp memorable.

This version of The Little Prince by Jennie Lynn Paske is so surreal. It truly feels like Le Petit Prince has landed on another planet.

Billy Nuñez’s Chinese take on Goldilocks is just right. His work has been hugely popular on the site because it feels so obvious (How Has This Not Been Done Before?) and yet, so fresh.

Dokino hails from Mongolia and gave an entirely earthy and unexpected African twist to Alice in Wonderland.

Berk Ozturk’s punk Rapunzel is funny, dark, and suggests this story could be updated for tweens and teens.

To celebrate the launch of Uncovered Cover Art, the three most popular artists will receive a copy of Show and Tell: Exploring the Fine Art of Children’s Book Illustration. If you know someone who should submit to Uncovered Cover Art, I would be delighted if you spread the word to your friends, any all other souls who are passionate about children’s books. Voting ends August 30th.

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I have lately been very drawn to the stitched line. Stitching as decoration, stitching as art, stitching as messages, stitching as contemplation. It holds a fascination for me – the mixture of practicality, tradition and art.

I recently received an amazingly beautiful book for review Machine Stitch: Perspectives, by Alice Kettle and Jane McKeating. It is published in the UK by A & C Black (2010), distributed by Allen and Unwin in Australia and about to be released in the USA in March this year. There is a companion book ‘Hand stitching perspectives’ in the works which I can’t wait to see.

Machine Stitch is a beautifully detailed book, big hard cover coffee table style, beautiful full page glossy images- with contributions by many experts in the textile field. In the introduction it says “Our intention was to reveal the breadth of practice, the joy of making and the strength of critical thinking to be found within this area.” and that promises a lot, which this book does not fail to deliver.

This book could easily have concentrated on textiles with art practices and historic museum perspectives, which would have been amazing – don’t get me wrong. However it goes further and explores the domestic and the commercial alongside the avant garde and the experimental. A gorgeous book to be treasured and read over and over.

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September/October brings change of season, and fresh starts and frivolity and seriousness too. So for a break from whipup realtime I am introducing a few weeks of guest bloggers to liven up your crafty experience. To bring you something fresh, and hopefully invigorate you to make and do and be and think! Its going to be a fun few weeks so come along for the ride.

Today I want to welcome Tina Givens to Whipup, Tina has a new book of children’s clothing patterns just released titled Sew Tina! 30 Cute Projects & Adorable Décor Items for Kids and later in the month I will be participating in her blog/author tour which should be a blast! Tina is a multi-talented woman – she not only designs patterns to wear and use and make but designs fabric and stationary too.

Character Blankee

I love illustrating for children, and wanted to create something in fabric—using stitches instead of paper, paint, and ink. I sketched out a few little characters and fell in love with free-motion stitching. The instructions below are for a little blanket, but the same method can easily be adapted for wall art, quilt tops, or a cushion front.

Materials

Templates for the bunny and piggy can be downloaded here.

  • Scrap fabrics for appliqué, enough for character pieces
  • Fusible interfacing, lightweight (enough to attach the character pieces)
  • Craft felt to fit your finished appliqué, about 16 x 20 inches
  • 2 pieces of fabric for blankee top and backing, 18 x 21 inches
  • Cotton batting, 18 x 21 inches
  • Fabric to make binding, enough for a strip that is 2 x 85 inches
  • Tina’s Tip: When making the binding strip, consider whether you want to miter the corners or not. If mitering, cut the binding on the bias. Otherwise, binding cut along the grainline will work just fine.

  • Tools: Basic Sewing Kit + Free-motion presser foot
  • Seam allowance is 1/2 inch unless otherwise noted
  • Before You Start Here are some material suggestions:

    Scraps—For the characters faces, use something that is a light-colored solid or with a minimal pattern design. Otherwise, the facial features will be lost. Consider mixing up your scraps so different fabrics will be next to each other.

    Background fabric—It’s best to use 100 percent cotton (light to medium weight), and to select this fabric after you have determined your scrap selections. Choose something that will make your appliqué stand out the most. Likewise, the felt border around the character will help create a distinct outline, so choose the color accordingly.

    Thread—Regular all-purpose thread is fine, or you could use a machine embroidery thread. I love using a chocolate brown color, because it makes the stitching look like it was done with an ink pen.

    Cutting and Preparation
    1. Download the templates found in the materials section and enlarge the template of your choice to your desired size.

    2. Fuse interfacing onto the wrong side of your selected scraps prior to cutting out any pattern pieces.

    3. Place the tracing paper on top of the character you wish to appliqué, and trace each individual part that will be cut from a different fabric, separating them out. For the Flying Pig, for instance, trace the beanie hat as a piece, his face as another piece, then the goggles, and so on. (I cut out his nose in the same fabric, for added dimension.)

    4. Cut out the individual pattern pieces, and pin them onto the interfaced scraps. Cut out each shape in fabric.

    5. Place each piece directly onto the felt, following the template. Pin each piece down securely. Don’t worry if you can see the interfacing peeking from under the cut appliqué edges—it will soon be hidden by the stitching.

    Tina’s Tip: When I do sketch (free-motion) stitching, I begin with larger or base pieces, like the pig’s face and head. I then stitch around the goggles, and save smaller details for last.

    Sewing Instructions
    6. Start stitching the pieces in place, one by one. When you are ready for smaller stitched details, like eyes and teeth (for the bunny), use a pencil or disappearing fabric marker to draw them as shown on the pattern, then stitch. Eyes are simple, just make a little circle and fill it in by stitching around and around. When you clip the ends, you can leave a 1/4-inch thread tail, which look like eyelashes. Once you have finished stitching all parts and pieces onto your felt base, press everything flat.

    7. Cut the felt around your character, about 1/4 inch from all stitching and fabric edges. This will create an outline of solid felt, which is a vital component of this busy appliqué. It serves as a separator of color and pattern, and creates a three-dimensional effect for your little character.

    8. Pin the character appliqué, felt side down, front and center on the right side of your blankee top. Again, use sketch stitching around the edges of your character, along the previously sewn lines. For any extra little details, such as the propeller motion lines, stitch directly onto the background fabric.

    9. To assemble the blankee layers: Lay the backing fabric right side down, lay the cotton batting on top, and finish with the appliquéd front, right side up. Pin around all edges and through all layers. Baste close to the raw edge on all sides.

    10. Make your own double-fold bias tape and bind the edges of the blankee.

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    September/October brings change of season, and fresh starts and frivolity and seriousness too. So for a break from whipup realtime I am introducing a few weeks of guest bloggers to liven up your crafty experience. To bring you something fresh, and hopefully invigorate you to make and do and be and think! Its going to be a fun few weeks so come along for the ride.

    Today I want to welcome Jan from Poppytalk – one of my oldest blog buddies and author of my favourite design blog poppytalk – Jan’s aesthetic has a little bit of grunge, lots of handmade and some gorgeous styling. You can find more of Jan’s design aesthetic poppytalk.blogspot.com; poppytalkhandmade.com and twitter.com/poppytalk

    Pom Pom Mobile, fairydreaming.etsy.com

    Inspiration: Pom Poms Galore!

    Hi Whip Up fans! Greetings from Canada! It’s Jan from Poppytalk here, and I just wanted to thank Kathreen for inviting me to post here at one of my favourite crafty blogs, I’m honoured.

    Last week I posted about some totally rad pom pom garlands that the talented girls from Honestly WTF crafted up. Ever since, I’ve had pom poms on the brain, thinking when and where and what I can do with them next. So today I bring you a little inspiration of all the possibilities.

    Last week I posted about some totally rad pom pom garlands that the talented girls from Honestly WTF crafted up. Ever since, I’ve had pom poms on the brain, thinking when and where and what I can do with them next. So today I bring you a little inspiration of all the possibilities.
    Garlands by Honestly WTF
    Necklaces, imkeklee.com
    Johan Carpner (via Bloesem)
    Pillows, Jackie Von Tobel (via HGTV)
    DIY project in Dutch magazine Ariadne At Home (via Style Files)
    Mittens by WoolyRosie
    –Jan

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